The Cook, Edouard Vuillard, c. 1892/1893
Edouard Vuillard, ritrattoEdouard VuillardFrancia, 1868–1940

The Cook

c. 1892/1893 · Painting

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National Gallery of Art

Washington, Stati Uniti

Sala103C · Edificio Est, piano terra

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Fonte
Il museo

Scheda

Numero di inventario
2004.140.33

Che cosa raffigura

In catalogo

Fonti

Nel frattempo, nella vita di Edouard Vuillard

Tutta la vita
  1. 1886–1927 · Luogo di lavoro

    Paris

  2. 1890

    Joins the Nabis

    He begins attending the meetings of the “prophets” in late 1889 and in 1890, through Maurice Denis, becomes a member of the group, which met in Paul Ranson’s studio and in the cafés of the Passage Brady; because of his military service he is given the coded nickname “Nabi Zouave”. Other accounts date his membership from 1891.

  3. early 1890s

    The Natanson brothers and La Revue Blanche

    Through his theatre work he meets Alexandre and Thadée Natanson, founders of the cultural review La Revue Blanche, where his graphics appear alongside work by Bonnard, Toulouse-Lautrec and Vallotton; the brothers become his important patrons. Other accounts say they had known each other since the Lycée Condorcet.

  4. 1891

    First exhibition with the Nabis at Saint-Germain-en-Laye

    At the château of Saint-Germain-en-Laye he shows two paintings, among them “The Woman in a Striped Dress”; the reviews are largely good, although the critic of Le Chat Noir (19 September 1891) finds the works still indecisive.

  5. 1892

    First decorative commission: panels for the Desmarais house

    On a commission for the Natanson brothers he paints six panels above the doors of the Desmarais family’s salon, his first “apartment frescoes”. It is the first of eight decorative cycles made between 1892 and 1899, some thirty panels in all.

  6. 1895

    Shown at the opening of Bing’s Maison de l’Art Nouveau

    Displayed at the opening of Bing’s gallery in December 1895 are his series of decorative porcelain plates, with women in modern dress immersed in floral designs, his design for the Tiffany window and the decorative panels made for the Natansons.

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Nella stessa sala · EG-103-C, National Gallery of Art

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