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  1. Collezione/
  2. Victoria and Albert Museum/
  3. The Casa d'Oro, Venice
The Casa d'Oro, Venice, Samuel Prout, early 19th century
Samuel Prout, ritrattoSamuel ProutRegno Unito, 1783–1852

The Casa d'Oro, Venice

early 19th century · Watercolour · 43.2 × 30.5 cm

Si può ammirare?

Al momento non riceve

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

Verificato
12 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

Numero di inventario
1165-1886

Che cosa raffigura

Venice

In catalogo

Disegni e acquerelliAcquerelloItalia

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London

Altre opere di Samuel Prout

Tutte le opere
Chateau de Martinsbourg, Mayence, Samuel Prout

Chateau de Martinsbourg, Mayence

Non esposta · National Gallery of Art

Zwinger Palace, Dresden, Samuel Prout

Zwinger Palace, Dresden

Non esposta · National Gallery of Art

French Street Scene with a Medieval Turret, Samuel Prout

French Street Scene with a Medieval Turret

Non esposta · National Gallery of Art

An Outdoor Market, Samuel Prout

An Outdoor Market

Non esposta · National Gallery of Art

A Carriage, Samuel Prout

A Carriage

Non esposta · National Gallery of Art

Laundresses before the Wasserturm, Nuremberg, Samuel Prout

Laundresses before the Wasserturm, Nuremberg

Non esposta · National Gallery of Art

Bamberg, Samuel Prout

Bamberg

Non esposta · National Gallery of Art

Fontaine S. Maclou, tegen de S. Maclou te Rouaan, Samuel Prout, 1793 - 1852

Fontaine S. Maclou, tegen de S. Maclou te Rouaan

1793 - 1852 · Rijksmuseum

Sotto lo stesso tetto: Victoria and Albert Museum

Pagina del museo
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sullo stesso tema · Venice

Tutte le opere sul tema
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Piazza San Marco, Canaletto, late 1720s

Canaletto

Piazza San Marco, late 1720s

Metropolitan Museum of Art

Venetiaanse pantoffelparade, Giovanni Battista Tiepolo, 1740 - 1760

Giovanni Battista Tiepolo

Venetiaanse pantoffelparade, 1740 - 1760

Rijksmuseum

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Non esposta · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Non esposta · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

Venice, from the Porch of Madonna della Salute, Joseph Mallord William Turner, ca. 1835

Joseph Mallord William Turner

Venice, from the Porch of Madonna della Salute, ca. 1835

Metropolitan Museum of Art