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Minneapolis Institute of Art
The Acrobat

The Acrobat, Conrad Felixmüller, 1921

Conrad Felixmüller, ritratto

Conrad FelixmüllerGermania, 1897–1977

The Acrobat

1921 · Print · 54.61 × 34.93 cm

Si può ammirare?

Al momento non riceve

Minneapolis Institute of Art

Minneapolis, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato: l’altro ieri
Ultimo cambio di stato: 25 set 2026
Fonte: Il museo

Sulla mappa Pagina del museo

Sull’opera

Conrad Felixmüller came to prominence in Germany in the late 1910s when the emotional intensity of Expressionism began to give way to a more objective vision of modern life. The Acrobat depicts a female trapeze artist who poses for the artist while a clown steals her spot on the trapeze and swings over her head, much to the delight of the crowd behind them. Felixmüller seemed drawn to the circus, a separate realm where the bizarre and unusual were commonplace. Indeed, this topsy-turvy world seemed an apt metaphor for the chaotic conditions that wracked German society in the wake of World War I.

Minneapolis Institute of Art

Scheda

1921 · a 24 anni

18971977

Numero di inventario: P.69.161

In catalogo

Stampe Puntasecca Modernismo XX secolo Germania

Fonti

Minneapolis Institute of Art
Immagine: Minneapolis Institute of Art — © Minneapolis Institute of Art

Altre opere di Conrad Felixmüller

Selbstbildnis (Kopf mit Händen), Conrad Felixmüller, 1915

Selbstbildnis (Kopf mit Händen)

1915 · Non esposta · National Gallery of Art

Head of Londa II (Kopf Londa II) (plate, loose leaf) from the periodical Das Kunstblatt, vol. 2, no. 1 (Jan 1918), Conrad Felixmüller, 1918 (executed 1917)

Head of Londa II (Kopf Londa II) (plate, loose leaf) from the periodical Das Kunstblatt, vol. 2, no. 1 (Jan 1918)

1918 (executed 1917) · Non esposta · Museum of Modern Art

Couple in the Woods (Menschen Im Wald), Conrad Felixmüller, 1918

Couple in the Woods (Menschen Im Wald)

1918 · Non esposta · National Gallery of Art

Selbstbildnis (Self-Portrait) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), Conrad Felixmüller, 1919, published 1920

Selbstbildnis (Self-Portrait) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

1919, published 1920 · Non esposta · National Gallery of Art

Self-Portrait (Selbstbildnis) (plate 24) from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), Conrad Felixmüller, 1919, published 1920

Self-Portrait (Selbstbildnis) (plate 24) from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

1919, published 1920 · Non esposta · Museum of Modern Art

Johanna, Conrad Felixmüller, 1920

Johanna

1920 · Non esposta · National Gallery of Art

Kohlenbergarbeiter, Conrad Felixmüller, 1920

Kohlenbergarbeiter

1920 · Non esposta · National Gallery of Art

Working-Class Couple, Conrad Felixmüller, 1920

Working-Class Couple

1920 · Non esposta · National Gallery of Art

Sotto lo stesso tetto: Minneapolis Institute of Art

Pagina del museo

Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Goya curato dal dottor Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34