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  3. Surface Series from Currents
Surface Series from Currents, Robert Rauschenberg, 1970
Robert Rauschenberg, ritrattoRobert RauschenbergStati Uniti, 1925–2008

Surface Series from Currents

1970 · Print

Si può ammirare?

Al momento non riceve

Museum of Modern Art

New York, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
9 giorni fa
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1970 · a 45 anni
19252008
Numero di inventario
307.2008.15

In catalogo

StampeSerigrafiaArte del dopoguerraXX secolo

Fonti

  • Museum of Modern Art
  • Immagine: Museum of Modern Art — © the artist or rights holder

Nel frattempo, nella vita di Robert Rauschenberg

Tutta la vita
  1. 27 giugno 1968 – 6 ottobre 1968

    Exhibition: 4. documenta

  2. 26 July 1968

    Buys a house on Captiva Island

    On 26 July 1968 Rauschenberg bought the Beach House, his first property on Captiva Island off the Florida coast, though it did not become his permanent home until the autumn of 1970. Other accounts date the purchase to 1970.

  3. 1969

    Watches the Apollo 11 launch at NASA's invitation

    NASA invited Rauschenberg to witness the launch of Apollo 11. In response he created his “Stoned Moon” series of lithographs, combining diagrams and images from NASA's archives with his own drawings and handwritten text.

  4. autumn 1970

    Moves to Captiva for good

    From the autumn of 1970 the Captiva house became Rauschenberg's permanent home and studio. The first works made there were the “Cardboards” (1971–72) and “Early Egyptians” (1973–74) series, from locally sourced cardboard and sand: instead of urban imagery he now favoured the natural fibres of fabric and paper.

  5. 1970

    Sets up Change, Inc. to help artists

    Rauschenberg created Change, Inc., a programme awarding one-time emergency grants of up to $1,000 to visual artists in financial need.

  6. 1970

    Helps create the Pepsi Pavilion at Expo '70 in Osaka

    Rauschenberg took part in creating the Pepsi Pavilion for the 1970 World Exposition in Osaka; the opening was directed by the choreographer and artist Remy Charlip.

Altre opere di Robert Rauschenberg

Tutte le opere
Untitled, Robert Rauschenberg, c. 1953

Untitled

c. 1953 · Museum of Modern Art

Canyon, Robert Rauschenberg, 1959

Canyon

1959 · Museum of Modern Art

Untitled, Robert Rauschenberg, c. 1955

Untitled

c. 1955 · Art Institute of Chicago

Satellite, Robert Rauschenberg, 1955

Satellite

1955 · Whitney Museum of American Art

Untitled, Robert Rauschenberg, 1949

Untitled

1949 · Non esposta · Museum of Modern Art

Untitled, Robert Rauschenberg, Susan Weil, c. 1950

Untitled

c. 1950 · Non esposta · Museum of Modern Art

Black Painting, Robert Rauschenberg, 1952

Black Painting

1952 · Non esposta · National Gallery of Art

Untitled (Mirror), Robert Rauschenberg, (1952)

Untitled (Mirror)

(1952) · Non esposta · Museum of Modern Art

Sotto lo stesso tetto: Museum of Modern Art

Pagina del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950