ART WIKI33.040 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Victoria and Albert Museum/
  3. Study of cows at Hampstead
Study of cows at Hampstead, John Constable, April 1834

Study of cows at Hampstead

April 1834 · Watercolour · 6.2 × 9 cm

Scheda

April 1834 · a 58 anni
17761837
Numero di inventario
219-1888

Nel frattempo, nella vita di John Constable

Tutta la vita
  1. 1828–1837

    A widower with seven children

    For the rest of his life Constable dressed in black and brought up his seven children alone; according to Leslie he was “a prey to melancholy and anxious thoughts”. Several of the children also painted, notably Lionel.

  2. 1835

    A last lecture to the Academy’s students

    In 1835 Constable gave his last lecture to the students of the Royal Academy, praising Raphael and calling the Academy the “cradle of British art”; it was cheered most heartily.

  3. 1836

    Lectures at the Royal Institution: three theses

    In a series of lectures at the Royal Institution in 1836 Constable proposed three theses: landscape painting is scientific as well as poetic; imagination alone never can produce art that bears comparison with reality; and no great painter was ever self-taught.

Altre opere di John Constable

Tutte le opere

Sotto lo stesso tetto: Victoria and Albert Museum

Pagina del museo

Sullo stesso tema · Cows

Tutte le opere sul tema
John Constable, ritrattoJohn ConstableRegno Unito, 1776–1837

Si può ammirare?

Al momento non riceve

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

Verificato
13 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

CowsHampstead

In catalogo

Disegni e acquerelliGrafiteRomanticismoXIX secoloBritish SchoolInghilterra

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Museo del Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Museo del Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Museo del Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Metropolitan Museum of Art

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Young Ladies of the Village, Gustave Courbet, 1851–52

Gustave Courbet

Young Ladies of the Village, 1851–52

Metropolitan Museum of Art

Woman with Cow, and Goose; Counterproof [verso], Paul Gauguin, 1884-1888

Paul Gauguin

Woman with Cow, and Goose; Counterproof [verso], 1884-1888

Non esposta · National Gallery of Art

Tahitian Carrying Bananas (Le porteur de fei), Paul Gauguin, in or after 1895

Paul Gauguin

Tahitian Carrying Bananas (Le porteur de fei), in or after 1895

Non esposta · National Gallery of Art

The Adoration of the Magi, Hieronymus Bosch, ca. 1475

Hieronymus Bosch

Adorazione dei Magi, ca. 1475

Metropolitan Museum of Art

The Adoration of the Shepherds, El Greco, ca. 1605–10

El Greco

The Adoration of the Shepherds, ca. 1605–10

Metropolitan Museum of Art

American Landscape, Edward Hopper, 1920

Edward Hopper

American Landscape, 1920

Non esposta · National Gallery of Art

Studies of Cattle, John Singer Sargent, c. 1872

John Singer Sargent

Studies of Cattle, c. 1872

Non esposta · National Gallery of Art

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

John Constable

Salisbury Cathedral from the Bishop's Grounds, ca. 1825

Metropolitan Museum of Art