Study of Cirrus Clouds

ca. 1822 · Oil painting · 11.4 × 17.8 cm

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Victoria and Albert Museum

Londra, Regno Unito

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Verificato: 10 giorni fa
Ultimo cambio di stato: 25 set 2026
Fonte: I dati di collezione del museo stesso

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About the painting

Constable inscribed 'cirrus' on the reverse of this sketch. It shows his countryman's understanding of the weather. He also owned a copy of Researches about Atmospheric Phaenomena by Thomas Forster. It was published in 1815 'with a series of engravings, illustrative of the modifications of the clouds'.

Victoria and Albert Museum

Scheda

Numero di inventario: 784-1888

What it shows

Clouds

In catalogo

British School Gran Bretagna

Fonti

Victoria and Albert Museum: the museum's own open data · acquisita 10 giorni fa
Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London

Nel frattempo, nella vita di John Constable

Tutta la vita

1821
“The Hay Wain” at the Royal Academy
The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.
1821
“I should paint my own places best”
In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.
1821
Son born: Charles Golding Constable
1824
The Paris Salon: a gold medal
The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.
1824
Delacroix repaints the background of “The Massacre at Chios”
After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.
1824–1828
The family in Brighton for Maria’s health
When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.