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  1. Collezione/
  2. Smithsonian American Art Museum/
  3. Study for the Annunciation
Study for the Annunciation, Henry Ossawa Tanner, ca. 1898

Study for the Annunciation

ca. 1898 · Painting · 21.5 × 27.4 cm

Sul dipinto

In this painting the vertical line of white paint on the left represents the divine presence of the angel who will tell Mary that she bears the Son of God. The finished painting made from this study was well received in Paris and was Henry Ossawa Tanner’s first work to be acquired by an American museum.

Smithsonian American Art Museum

Scheda

ca. 1898
18591937
Numero di inventario
1983.95.187

Altre opere di Henry Ossawa Tanner

Tutte le opere

Sotto lo stesso tetto: Smithsonian American Art Museum

Pagina del museo

Sullo stesso tema · Religion

Tutte le opere sul tema
Henry Ossawa Tanner, ritrattoHenry Ossawa TannerStati Uniti, 1859–1937

Si può ammirare?

Non si sa

Smithsonian American Art Museum

Washington, Stati Uniti

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

Mary, Blessed Virgin, SaintReligionBible, N.T.Annunciation

In catalogo

DipintiOlioPittura americanaImpressionismoXIX secolo

Fonti

  • Smithsonian American Art Museum
  • Immagine: Smithsonian American Art Museum — CC0
Flight Into Egypt, Henry Ossawa Tanner, 1923

Flight Into Egypt

1923 · Metropolitan Museum of Art

Study for "Christ at the Home of Lazarus", Henry Ossawa Tanner

Study for "Christ at the Home of Lazarus"

Metropolitan Museum of Art

The Seine, Henry Ossawa Tanner, c. 1902

The Seine

c. 1902 · National Gallery of Art

The Two Disciples at the Tomb, Henry Ossawa Tanner, c. 1906

The Two Disciples at the Tomb

c. 1906 · Art Institute of Chicago

Mother of Henry O. Tanner, Henry Ossawa Tanner, n.d.

Mother of Henry O. Tanner

n.d. · Smithsonian American Art Museum

Head of a Woman in Jerusalem, Henry Ossawa Tanner, n.d.

Head of a Woman in Jerusalem

n.d. · Smithsonian American Art Museum

Portrait of Mr. and Mrs. Atherton Curtis with Still Life, Henry Ossawa Tanner, n.d.

Portrait of Mr. and Mrs. Atherton Curtis with Still Life

n.d. · Smithsonian American Art Museum

Scene of Algiers, Henry Ossawa Tanner, n.d.

Scene of Algiers

n.d. · Smithsonian American Art Museum

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934

Madonna della seggiola, Charles B. J. Févret de Saint-Mémin, after Raphael, c. 1795

Raphael

Madonna della seggiola, c. 1795

Non esposta · National Gallery of Art

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., 1995

Non esposta · National Gallery of Art

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form  _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., Allen Ginsberg, 1993, printed 1995

Allen Ginsberg

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., 1993, printed 1995

Non esposta · National Gallery of Art

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., Allen Ginsberg, 1987

Allen Ginsberg

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., 1987

Non esposta · National Gallery of Art

Buried with Him by Baptism, Paul Revere, c. 1765

Paul Revere

Buried with Him by Baptism, c. 1765

Non esposta · National Gallery of Art

White Crucifixion, Marc Chagall, 1938

Marc Chagall

Crocifissione bianca, 1938

Non esposta · Art Institute of Chicago

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", 1903-1916

Non esposta · National Gallery of Art

Study of Adam for the "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of Adam for the "Fifteen Mysteries of the Rosary", 1903-1916

Non esposta · National Gallery of Art