Scene on the Rhine, John Ruskin, 19th century
John Ruskin, ritrattoJohn RuskinInghilterra, 1819–1900

Scene on the Rhine

19th century · Print

Si può ammirare?

Al momento non riceve

Harvard Art Museums

Cambridge, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
Ultimo cambio di stato
Fonte
Il museo

Scheda

Numero di inventario
M3437

In catalogo

Fonti

  • Harvard Art Museums
  • Immagine: Harvard Art Museums — © President and Fellows of Harvard College

Nel frattempo, nella vita di John Ruskin

Tutta la vita
  1. 8 febbraio 1819

    Born

  2. 1843

    In defence of Turner: the first volume of “Modern Painters”

    The first volume of “Modern Painters” — an answer to Turner's critics — is published by Smith, Elder & Co. under the name “A Graduate of Oxford”; Ruskin controversially argues that modern landscape painters, above all Turner, surpass “Old Masters” such as Gaspard Dughet, Claude and Salvator Rosa in “truth to nature”, moral as well as material. Reviews are mixed, but Charlotte Brontë and Elizabeth Gaskell are impressed, and the book cements Ruskin's relationship with Turner.

  3. April – July 1854

    Effie leaves Ruskin and the marriage is annulled

    Suffering from illness and from fierce quarrels with her husband and his overly protective parents, Effie goes to her own parents in Scotland; she and Millais have fallen in love, and her leaving causes a public scandal. In April 1854 she files a suit of nullity on grounds of non-consummation, which is granted in July; Ruskin does not even mention it in his diary.

  4. 1858

    Turin: Veronese against a dull sermon

    In Turin Ruskin sits through a particularly dull sermon at a Waldensian church and sees Paolo Veronese's “Presentation of the Queen of Sheba” at the Galleria Sabauda; later, in April 1877, he will name this as the start of his “unconversion” from Evangelical Christianity. His faith, long shaken by Biblical and geological scholarship, collapses, and, believing that much of his writing had rested on lies and half-truths, Ruskin goes through a deep personal crisis before returning to Christianity after a long struggle.

  5. August – November 1860

    “Unto This Last” in the Cornhill Magazine

    In four essays published in the Cornhill Magazine Ruskin rejects the division of labour as dehumanising and calls political economy a false “science” that ignores the social affections that bind communities together, but the editor, Thackeray, is forced to abandon the series by the outcry of conservative readers and a nervous publisher. The national press is hostile and his father disapproves, while Carlyle is delighted and declares that they are henceforth “a minority of two”.

  6. 20 gennaio 1900

    Died

Tutte le opere

Sotto lo stesso tetto: Harvard Art Museums

Pagina del museo