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  1. Collezione/
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  3. Scene in North Wales
Scene in North Wales, Benjamin Barker, late 18th century-early 19th century

Scene in North Wales

late 18th century-early 19th century · Oil painting · 14.3 × 23.8 cm

Scheda

Numero di inventario
E.83-1918

Altre opere di Benjamin Barker

Tutte le opere

Sotto lo stesso tetto: Victoria and Albert Museum

Pagina del museo

Sullo stesso tema · Wales

Tutte le opere sul tema
BBenjamin BarkerRegno Unito, 1776–1838

Si può ammirare?

Al momento non riceve

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

Verificato
13 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

Wales

In catalogo

DipintiOlioPittura britannicaBritish School

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London
Landscape with Farm Animals, Benjamin Barker, c. 1796–1838

Landscape with Farm Animals

c. 1796–1838 · Non esposta · Cleveland Museum of Art

Houses in a Landscape, Benjamin Barker, c. 1796–1838

Houses in a Landscape

c. 1796–1838 · Non esposta · Cleveland Museum of Art

View of Llandysilio Vale, near Llangollen, Benjamin Barker, late 18th century- early 19th century

View of Llandysilio Vale, near Llangollen

late 18th century- early 19th century · Non esposta · Victoria and Albert Museum

View of Snowdon from Capel Curig, Benjamin Barker, late 18th century- mid 19th century

View of Snowdon from Capel Curig

late 18th century- mid 19th century · Non esposta · Victoria and Albert Museum

Landscape with figures and cattle, Benjamin Barker, ca. 1800-38

Landscape with figures and cattle

ca. 1800-38 · Non esposta · Victoria and Albert Museum

Brecon Town and Bridge, Benjamin Barker, ca. 1800- 1838

Brecon Town and Bridge

ca. 1800- 1838 · Non esposta · Victoria and Albert Museum

Road leading to Pont Aberglaslyn: View looking into the Vale of Festiniog, North Wales, Benjamin Barker, 1804

Road leading to Pont Aberglaslyn: View looking into the Vale of Festiniog, North Wales

1804 · Non esposta · Victoria and Albert Museum

Landscape with village : stormy effect, Benjamin Barker, 1813

Landscape with village : stormy effect

1813 · Non esposta · Victoria and Albert Museum

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., 1995

Non esposta · National Gallery of Art

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, Allen Ginsberg, 1995

Allen Ginsberg

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, 1995

Non esposta · National Gallery of Art

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., 1995

Non esposta · National Gallery of Art

View on the River Wye, Looking towards Chepstow, John Martin, 1844

John Martin

View on the River Wye, Looking towards Chepstow, 1844

Non esposta · National Gallery of Art

Caerau, Wales, Robert Frank, 1953

Robert Frank

Caerau, Wales, 1953

Non esposta · National Gallery of Art

Ben James, Coal Miner, Robert Frank, 1953

Robert Frank

Ben James, Coal Miner, 1953

Non esposta · National Gallery of Art

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Non esposta · National Gallery of Art

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Non esposta · National Gallery of Art