ART WIKI32.963 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Albertina/
  3. Saturn
Saturn, Parmigianino, 1525–1527
Parmigianino, ritrattoParmigianinoItalia, 1503–1540

Saturn

1525–1527 · Print

Si può ammirare?

Non si sa

Albertina

Vienna, Austria

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato
27 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1525–1527
15031540

In catalogo

StampeRinascimentoXVI secolo

Fonti

  • Albertina
  • Immagine: Albertina — Public Domain Mark 1.0

Nel frattempo, nella vita di Parmigianino

Tutta la vita
  1. summer 1524

    Travels to Rome with his uncles

    According to Vasari, on hearing Raphael and Michelangelo praised, Francesco longed to see Rome; his uncles approved and advised him to take some of his works to open doors to the lords and artists there. They arrived in Rome in the summer of 1524, and Parmigianino presented several paintings to Pope Clement VII, among them the “Self-Portrait in a Convex Mirror” painted on a wooden hemisphere.

  2. 1524–1527

    Joins the circle of Raphael's pupils

    In Rome Parmigianino grew close to Raphael's pupils working in the Vatican — Perino del Vaga, Baldassarre Peruzzi and Polidoro da Caravaggio — as well as Sebastiano del Piombo and Rosso Fiorentino; he copied the frescoes of Raphael's Stanze and the tapestry cartoons made for the Sistine Chapel. Vasari records that in Rome he was celebrated as “a Raphael reborn”.

  3. 1527

    The Sack of Rome finds him at work

    During the Sack of Rome by the landsknechts of Emperor Charles V, soldiers burst into the studio where Parmigianino was painting “The Vision of Saint Jerome” but harmed neither the pictures nor the artist. Soon, however, he had to abandon his lodgings and Rome, and he left the altarpiece with the church of Santa Maria della Pace.

  4. 1527

    Flees ravaged Rome for Bologna

    After the Sack of Rome Parmigianino moved to Bologna, where he spent four years by some accounts, nearly three by others. His first Bolognese work was “Saint Roch with a Donor” for the basilica of San Petronio, and here his palette grew cooler.

Altre opere di Parmigianino

Tutte le opere
Le Mariage mystique de sainte Catherine, Parmesan, XVIe siècle (1500 - 1600)

Le Mariage mystique de sainte Catherine

XVIe siècle (1500 - 1600) · Museo del Louvre

Portræt af Lorenzo Cybo, Parmigianino, 1523

Ritratto di Lorenzo Cybo

1523 · Statens Museum for Kunst

The Entombment (copy), Parmigianino, c. 1523

The Entombment (copy)

c. 1523 · Ermitage

The Boy and Two Old Men, Parmigianino

The Boy and Two Old Men

Non esposta · National Gallery of Art

Saint Simon, Antonio da Trento after Parmigianino

Saint Simon

Non esposta · National Gallery of Art

Saint Simon, Master F.P. after Parmigianino

Saint Simon

Non esposta · National Gallery of Art

Virgin and Child, Parmigianino

Virgin and Child

Non esposta · National Gallery of Art

The Presentation in the Temple, after Parmigianino after Giuseppe Porta

The Presentation in the Temple

Non esposta · National Gallery of Art

Dalla collezione: Albertina

Pagina del museo
Zwei groteske Köpfe im Profil, Leonardo da Vinci

Leonardo da Vinci

Zwei groteske Köpfe im Profil

Landschaft mit Haus und Bäumen, Vincent van Gogh

Vincent van Gogh

Landschaft mit Haus und Bäumen

Friedhof im Regen, Vincent van Gogh

Vincent van Gogh

Friedhof im Regen

Studien eines erhobenen Armes mit Schultergelenk, Michelangelo

Michelangelo

Studien eines erhobenen Armes mit Schultergelenk

Studien eines weiblichen sitzenden Rückenakts, Michelangelo

Michelangelo

Studien eines weiblichen sitzenden Rückenakts

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien, Michelangelo

Michelangelo

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina"), Michelangelo

Michelangelo

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina")

Beweinung Christi, Michelangelo

Michelangelo

Beweinung Christi