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  1. Collezione/
  2. Museo del Louvre/
  3. Sainte Madeleine
Sainte Madeleine, Dominiquin, 1e moitié du XVIIe siècle (1600 - 1650)
Domenichino, ritrattoDomenichinoItalia, 1581–1641

Sainte Madeleine

1e moitié du XVIIe siècle (1600 - 1650) · Peintures

Si può ammirare?

Non si sa

Museo del Louvre

Parigi, Francia

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato
26 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

Numero di inventario
INV 20916

In catalogo

DipintiOlioPittura italianaBaroccoXVII secolo

Fonti

  • Museo del Louvre
  • Immagine: Museo del Louvre — © 2023 Château de Versailles, Dist. GrandPalaisRmn / Christophe Fouin

Nel frattempo, nella vita di Domenichino

Tutta la vita
  1. 1601

    Moves to Rome to work with Annibale Carracci

    In 1601 (by other accounts 1602) Domenichino moved to Rome, settled with his friend Francesco Albani in the Monti district, studied Raphael and worked under Annibale Carracci, whose pupil he considered himself until the master’s death. Alongside him worked Giovanni Lanfranco, later his chief rival.

  2. 1604

    Patron and friend: Giovanni Battista Agucchi

    With the support of Giovanni Battista Agucchi, secretary to the cardinal-nephew Pietro Aldobrandini, in 1604 Domenichino painted the fresco The Liberation of St Peter in San Pietro in Vincoli. Agucchi became his friend: they discussed questions of art and collaborated on a Treatise on Painting, and his ideas are mirrored in Domenichino’s art.

  3. 1609

    Death of his master Annibale Carracci

    After Annibale’s death in 1609 his pupils who kept to the master’s Roman style, Domenichino and Albani among them, lost out to Guido Reni in the race for the most prestigious commissions. According to Malvasia, Domenichino went unrecognised and underpaid, was left without commissions and was forced to beg for work through intermediaries “at any price”.

  4. 1 April 1621

    Appointed architect of the Apostolic Chamber

    With the election of the Bolognese pope Gregory XV Domenichino returned to Rome, and on 1 April 1621 he was appointed architect general of the Apostolic Chamber. He built little, leaving designs for the façade of Sant’Andrea della Valle and the plan of Sant’Ignazio, and remained above all a painter, winning commissions for altarpieces in Roman churches.

  5. June 1630

    Moves to Naples for the Chapel of San Gennaro

    On 23 March 1630, in a letter sent to Naples, Domenichino accepted the appointment to the Royal Chapel of the Treasure of San Gennaro in the cathedral, and in June he moved to Naples (by other accounts he left Rome in 1631 for this most prestigious and very lucrative commission).

  6. 15 aprile 1641

    Died

Altre opere di Domenichino

Tutte le opere
Renaud présentant un miroir à Armide, Dominiquin, 1e quart du XVIIe siècle (1600 - 1625)

Renaud présentant un miroir à Armide

1e quart du XVIIe siècle (1600 - 1625) · Museo del Louvre

La Vierge à l'Enfant avec saint François (ou saint Antoine de Padoue), Dominiquin, XVIIe siècle (1600 - 1700)

La Vierge à l'Enfant avec saint François (ou saint Antoine de Padoue)

XVIIe siècle (1600 - 1700) · Museo del Louvre

Paysage avec Hercule combattant Acheloüs changé en taureau, Dominiquin, 1e quart du XVIIe siècle (1600 - 1625)

Paysage avec Hercule combattant Acheloüs changé en taureau

1e quart du XVIIe siècle (1600 - 1625) · Museo del Louvre

Sainte Cécile avec un ange tenant une partition musicale, Dominiquin, 1e quart du XVIIe siècle (1600 - 1625)

Sainte Cécile avec un ange tenant une partition musicale

1e quart du XVIIe siècle (1600 - 1625) · Museo del Louvre

Le Ravissement de saint Paul, Dominiquin, 1e quart du XVIIe siècle (1600 - 1625)

Le Ravissement de saint Paul

1e quart du XVIIe siècle (1600 - 1625) · Museo del Louvre

Paysage avec Hercule tirant Cacus de sa caverne, Dominiquin, 1e quart du XVIIe siècle (1600 - 1625)

Paysage avec Hercule tirant Cacus de sa caverne

1e quart du XVIIe siècle (1600 - 1625) · Museo del Louvre

Paysage avec un ermite, Dominiquin, 1e moitié du XVIIe siècle (1600 - 1650)

Paysage avec un ermite

1e moitié du XVIIe siècle (1600 - 1650) · Museo del Louvre

Paysage avec la fuite en Égypte, Dominiquin, 1e quart du XVIIe siècle (1600 - 1625)

Paysage avec la fuite en Égypte

1e quart du XVIIe siècle (1600 - 1625) · Museo del Louvre

Sotto lo stesso tetto: Museo del Louvre

Pagina del museo
Portrait of Marten Soolmans, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Marten Soolmans, 1634

Portrait of Oopjen Coppit, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Oopjen Coppit, 1634

Portrait de Lisa Gherardini, épouse de Francesco del Giocondo, dit La Joconde ou Monna Lisa, Léonard de Vinci, 1e quart du XVIe siècle (1503 - 1519)

Leonardo da Vinci

La Gioconda, 1e quart du XVIe siècle (1503 - 1519)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1517 - 1520)

Leonardo da Vinci

Bacco, 1e quart du XVIe siècle (vers 1517 - 1520)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1508 - 1519)

Leonardo da Vinci

San Giovanni Battista, 1e quart du XVIe siècle (vers 1508 - 1519)

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, Léonard de Vinci, XVIe siècle (vers 1505 - 1520)

Leonardo da Vinci

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, XVIe siècle (vers 1505 - 1520)

La Vierge, l'Enfant Jésus et sainte Anne, dit La Sainte Anne, Léonard de Vinci, 1e quart du XVIe siècle (vers 1503 - 1519)

Leonardo da Vinci

Sant'Anna, la Vergine e il Bambino con l'agnellino, 1e quart du XVIe siècle (vers 1503 - 1519)

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, Léonard de Vinci, 4e quart du XVe siècle (vers 1483 - 1494)

Leonardo da Vinci

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, 4e quart du XVe siècle (vers 1483 - 1494)