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Roman Rooftops, Joseph-Marie Vien, 1744/1750
Joseph Marie Vien, ritrattoJoseph Marie VienFrancia, 1716–1809

Roman Rooftops

1744/1750 · Drawing

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National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

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Il museo
Sulla mappaPagina del museo

Scheda

Numero di inventario
1983.49.172

Che cosa raffigura

ItaliaCityscapeRoma

In catalogo

Disegni e acquerelliGrafiteRococòXVIII secoloFrench

Fonti

Altre opere di Joseph Marie Vien

Tutte le opere
L'Ermite endormi, Vien, Joseph-Marie, Milieu du XVIIIe siècle (1750)

L'Ermite endormi

Milieu du XVIIIe siècle (1750) · Museo del Louvre

Jeunes grecques parant de fleurs l'Amour endormi, Vien, Joseph-Marie, 3e quart du XVIIIe siècle (1773)

Jeunes grecques parant de fleurs l'Amour endormi

3e quart du XVIIIe siècle (1773) · Museo del Louvre

Amant couronnant sa maîtresse, Vien, Joseph-Marie, 3e quart du XVIIIe siècle (1773)

Amant couronnant sa maîtresse

3e quart du XVIIIe siècle (1773) · Museo del Louvre

Les Adieux d'Hector et d'Andromaque, Vien, Joseph-Marie, 4e quart du XVIIIe siècle (1786)

Les Adieux d'Hector et d'Andromaque

4e quart du XVIIIe siècle (1786) · Museo del Louvre

Sweet Melancholy, Joseph-Marie Vien, 1756

Sweet Melancholy

1756 · Cleveland Museum of Art

Venus mit Grazien auf einer von Fischen gezogenen Muschel, Joseph-Marie Vien

Venus mit Grazien auf einer von Fischen gezogenen Muschel

Albertina

Das Urteil des Paris, Joseph-Marie Vien

Das Urteil des Paris

Albertina

Die Erweckung des Lazarus, Joseph-Marie Vien

Die Erweckung des Lazarus

Albertina

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Sullo stesso tema · Italia

Tutte le opere sul tema
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

Non esposta · National Gallery of Art

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Non esposta · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Non esposta · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Non esposta · National Gallery of Art

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Non esposta · National Gallery of Art