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  1. Collezione/
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  3. Relief no. 12B
Relief no. 12B, César Domela, 1936
César Domela, ritrattoCésar DomelaPaesi Bassi, 1900–1992

Relief no. 12B

1936 · Sculpture

Sulla scultura

Among César Domela's most ambitious "neoplastic reliefs," Relief no. 12B is notable not only for its large size but also for its complex construction from overlapping hollow and solid disks. One of the youngest members of the Dutch art movement De Stijl, Domela made his first relief in 1929, using wood, metallic paint, and metal rods to create three-dimensional rectangular compositions that resemble geometric paintings yet extend into the space of the viewer by projecting off the wall. When Plexiglas was invented in 1933, Domela became one of the first artists to embrace it as a material, using it and other plastics to enhance the play of light within his works, and generate new physical and optical textures and patterns.

Art Institute of Chicago · CC BY 4.0

Scheda

1936 · a 36 anni
19001992
Numero di inventario
2024.285

Altre opere di César Domela

Tutte le opere

Nella stessa sala · Gallery 393, Art Institute of Chicago

Pagina del museo

Sullo stesso tema · Abstraction

Tutte le opere sul tema

Si può ammirare?

Sì, riceve visite

Art Institute of Chicago

Chicago, Stati Uniti

Sala393

Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

Verificato
9 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

Abstraction

In catalogo

SculturaLegnoModernismoXX secoloAmsterdam

Fonti

  • Art Institute of Chicago
  • Immagine: Art Institute of Chicago — © the artist or rights holder
Hamburg, Germany's Gateway to the World, César Domela-Nieuwenhuis, 1930

Hamburg, Germany's Gateway to the World

1930 · Non esposta · Museum of Modern Art

Plate (folio 10) from 10 Origin, César Domela-Nieuwenhuis, 1942

Plate (folio 10) from 10 Origin

1942 · Non esposta · Museum of Modern Art

Abstraction, César Domela-Nieuwenhuis, 1943

Abstraction

1943 · Non esposta · Museum of Modern Art

Plate (folio 16) from Art abstrait (Abstract Art), César Domela-Nieuwenhuis, 1946

Plate (folio 16) from Art abstrait (Abstract Art)

1946 · Non esposta · Museum of Modern Art

Plate 5 from l'Avanguardia Internazionale, Volume 4/l'Avant-Garde Internationale, Volume 4/The International Avant-Garde, Volume 4, César Domela-Nieuwenhuis, 1962

Plate 5 from l'Avanguardia Internazionale, Volume 4/l'Avant-Garde Internationale, Volume 4/The International Avant-Garde, Volume 4

1962 · Non esposta · Museum of Modern Art

César Domela, César Domela, 1939

César Domela

1939 · Non esposta · Art Institute of Chicago

Lozenge Composition with Yellow, Black, Blue, Red, and Gray, Piet Mondrian, 1921

Piet Mondrian

Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921

Composition (No. 1) Gray-Red, Piet Mondrian, 1935

Piet Mondrian

Composition (No. 1) Gray-Red, 1935

Interrelation of Volumes from the Ellipsoid, Georges Vantongerloo, 1926

Georges Vantongerloo

Interrelation of Volumes from the Ellipsoid, 1926

Reclining Woman, Fernand Léger, 1922

Fernand Léger

Reclining Woman, 1922

Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Kasimir Malevich, Summer/fall 1915

Kazimir Malevich

Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Summer/fall 1915

Edtaonisl (Ecclesiastic), Francis Picabia, 1913

Francis Picabia

Edtaonisl (Ecclesiastic), 1913

Fresco (For a Cathedral), Antoine Pevsner, 1944

Antoine Pevsner

Fresco (For a Cathedral), 1944

Divers on a Yellow Background, Fernand Léger, 1941

Fernand Léger

Divers on a Yellow Background, 1941

May Picture, Paul Klee, 1925

Paul Klee

May Picture, 1925

Metropolitan Museum of Art

Metro, Petro, Neuro, Psycho, Ed Ruscha, 1998

Edward Ruscha

Metro, Petro, Neuro, Psycho, 1998

Non esposta · National Gallery of Art

Composition of Ten Pieces, New York, Irving Penn, 1979

Irving Penn

Composition of Ten Pieces, New York, 1979

Non esposta · National Gallery of Art

Flip Top Box, New York, Irving Penn, 1975

Irving Penn

Flip Top Box, New York, 1975

Non esposta · National Gallery of Art

Transmutations, Brassaï, 1934–1935

Brassaï,

Transmutations, 1934–1935

Non esposta · National Gallery of Art

Horizon Squeeze in the Sky, Sam Gilliam, 1991

Sam Gilliam

Horizon Squeeze in the Sky, 1991

Non esposta · National Gallery of Art

Chicago 18, Aaron Siskind, 1949

Aaron Siskind

Chicago 18, 1949

Non esposta · National Gallery of Art

Untitled (Mexican Matadors), Sam Middleton, 1957

Sam Middleton

Untitled (Mexican Matadors), 1957

Non esposta · National Gallery of Art