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Развалины близ Рима, Semyon Shchedrin, 1772
Semyon Shchedrin, ritrattoSemyon Shchedrin1745–1804

Развалины близ Рима

1772 · Drawing · 48.4 × 38.8 cm

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Museo russo

San Pietroburgo, Russia

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Con le parole del museo — in russo

В конце 1769 переехал в Рим и занялся рисованием древностей в живописных окрестностях Вечного города. В штудиях деревьев и зарисовках руин, сделанных тушью, карандашом и мелом, он предстает тонким рисовальщиком с поэтическим мироощущением. Е. И. Гаврилова. Рисунок XVIII века в Русском музее // Рисунок и акварель в России. XVIII век . СПб. 2005. С. 32.

Museo russo

Scheda

Numero di inventario
Р-3694

Che cosa raffigura

Italia

In catalogo

Disegni e acquerelliRococòNeoclassicismoXVIII secolo

Fonti

  • Museo russo
  • Immagine: Museo russo — © State Russian Museum

Altre opere di Semyon Shchedrin

Tutte le opere
Вид на Каменноостровский дворец и плашкоутный мост через Большую Невку со стороны Строгановской набережной, Semyon Shchedrin, 1800s

Вид на Каменноостровский дворец и плашкоутный мост через Большую Невку со стороны Строгановской набережной

1800s · Museo russo

Вид на Большую Невку и дачу Строганова, Semyon Shchedrin, 1804

Вид на Большую Невку и дачу Строганова

1804 · Museo russo

В Царскосельском парке, Semyon Shchedrin

В Царскосельском парке

Galleria Tret'jakov

Пейзаж в окрестностях Петербурга, Semyon Shchedrin

Пейзаж в окрестностях Петербурга

Galleria Tret'jakov

Полдень (Вид в окрестностях озера Неми), Semyon Shchedrin, 177(8?)

Полдень (Вид в окрестностях озера Неми)

177(8?) · Museo russo

Пейзаж с озером, Semyon Shchedrin, ?

Пейзаж с озером

? · Irkutsk Regional Art Museum

Длинный остров в Гатчине, Semyon Shchedrin, late 18th century

Длинный остров в Гатчине

late 18th century · Gatchina Museum-Preserve

Вид Монплезира в Петергофе, Semyon Shchedrin, late 18th century

Вид Монплезира в Петергофе

late 18th century · Pavlovsk Museum-Preserve

Anche in sala: Museo russo

Pagina del museo
Два овала, Vasily Kandinsky, 1919

Vasily Kandinsky

Два овала, 1919

Синий гребень, Vasily Kandinsky, 1917

Vasily Kandinsky

Синий гребень, 1917

Импровизация 11, Vasily Kandinsky, 1910

Vasily Kandinsky

Импровизация 11, 1910

I Cosacchi dello Zaporož'e scrivono una lettera al Sultano di Turchia, Ilya Repin, 1880–1891

Ilya Repin

I Cosacchi dello Zaporož'e scrivono una lettera al Sultano di Turchia, 1880–1891

Автопортрет (Художник), Kazimir Malevich, 1933

Kazimir Malevich

Автопортрет (Художник), 1933

Red Cavalry Riding, Kazimir Malevich, c. 1932

Kazimir Malevich

Red Cavalry Riding, c. 1932

На жатву (Марфа и Ванька), Kazimir Malevich, 1928-1929

Kazimir Malevich

На жатву (Марфа и Ванька), 1928-1929

Черный квадрат, Kazimir Malevich, c. 1923

Kazimir Malevich

Черный квадрат, c. 1923

Sullo stesso tema · Italia

Tutte le opere sul tema
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

Non esposta · National Gallery of Art

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Non esposta · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Non esposta · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Non esposta · National Gallery of Art

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Non esposta · National Gallery of Art