ART WIKI32.963 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. National Gallery of Art/
  3. Rally's End
Rally's End, Gordon Parks, 1963, printed later

Rally's End

1963, printed later · Photograph

Scheda

1963, printed later · a 51 anni
19122006
Numero di inventario
2016.117.238

Nel frattempo, nella vita di Gordon Parks

Tutta la vita
  1. 1948–1972

    Photographs Malcolm X, Muhammad Ali, Barbra Streisand

    In more than twenty years at Life he photographs fashion, sports, Broadway, poverty and racial segregation, as well as portraits of Malcolm X, Stokely Carmichael, Muhammad Ali and Barbra Streisand. Malcolm X asks him to be the godfather of his daughter Qubilah Shabazz.

  2. 1960s

    Daughter born: Leslie Parks

  3. 1961

    Divorces Sally Alvis

    His marriage to Sally Alvis, made in 1933, ends after more than twenty-five years.

  4. 1962

    Meets the editor Genevieve Young

    When he begins writing “The Learning Tree”, his publisher assigns him a Chinese-American editor, Genevieve Young, stepdaughter of the Chinese diplomat Wellington Koo. They later become romantically involved, at a time when both are divorcing previous spouses.

  5. 1962

    Marries Elizabeth Campbell

    Marries Elizabeth Campbell, daughter of the cartoonist E. Simms Campbell; the marriage lasts until 1973.

  6. 1963

    Publishes the novel “The Learning Tree”

    His semi-autobiographical novel “The Learning Tree” is published; he will later adapt it for the screen himself.

Altre opere di Gordon Parks

Tutte le opere

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo

Sullo stesso tema · Social criticism

Tutte le opere sul tema
Gordon Parks, ritrattoGordon ParksStati Uniti, 1912–2006

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

Social criticismPostersTrash

In catalogo

FotografieStampa ai sali d’argentoArte del dopoguerraXX secoloAmerican

Fonti

  • National Gallery of Art
  • Immagine: National Gallery of Art — © the artist or rights holder
Washington, D.C. Government Charwoman (American Gothic), Gordon Parks, July 1942, printed later

Washington, D.C. Government Charwoman (American Gothic)

July 1942, printed later · National Gallery of Art

Off on My Own, Harlem, New York, Gordon Parks, 1948, printed 2019

Off on My Own, Harlem, New York

1948, printed 2019 · Non esposta · National Gallery of Art

Doll Test, Harlem, New York, Gordon Parks, 1947, printed 2019

Doll Test, Harlem, New York

1947, printed 2019 · Non esposta · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941

Langston Hughes, Chicago

December 1941 · Non esposta · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941, printed later

Langston Hughes, Chicago

December 1941, printed later · Non esposta · National Gallery of Art

Self-Portrait, Gordon Parks, 1941

Self-Portrait

1941 · Non esposta · National Gallery of Art

Marva Louis, Chicago, Gordon Parks, 1941

Marva Louis, Chicago

1941 · Non esposta · National Gallery of Art

Washington (southwest section), D.C. Negro woman in her bedroom, Gordon Parks, November 1942, printed later

Washington (southwest section), D.C. Negro woman in her bedroom

November 1942, printed later · Non esposta · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

No Hay Quien Los Socorra (Nobody Can Help Them), Francisco Goya, 1810/1820, printed later

Francisco de Goya

No Hay Quien Los Socorra (Nobody Can Help Them), 1810/1820, printed later

Non esposta · National Gallery of Art

Subir y bajar (To Rise and To Fall), Francisco Goya, 1799

Francisco de Goya

Subir y bajar (To Rise and To Fall), 1799

Non esposta · National Gallery of Art

Buen Viage (Bon Voyage), Francisco Goya, 1799

Francisco de Goya

Buen Viage (Bon Voyage), 1799

Non esposta · National Gallery of Art

Estan Calientes (They Are Hot), Francisco Goya, 1799

Francisco de Goya

Estan Calientes (They Are Hot), 1799

Non esposta · National Gallery of Art

No hay quien nos desate? (Can't Anyone Untie Us?), Francisco Goya, 1799

Francisco de Goya

No hay quien nos desate? (Can't Anyone Untie Us?), 1799

Non esposta · National Gallery of Art

Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux), Francisco Goya, 1824/1827

Francisco de Goya

Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux), 1824/1827

Non esposta · National Gallery of Art

Polichinelle, Edouard Manet, 1874

Édouard Manet

Polichinelle, 1874

Non esposta · National Gallery of Art

The Balloon, Edouard Manet, 1862

Édouard Manet

The Balloon, 1862

Non esposta · National Gallery of Art