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  1. Collezione/
  2. Victoria and Albert Museum/
  3. Putto with skull
Putto with skull, Grinling Gibbons, ca. 1680 - ca. 1700
Grinling Gibbons, ritrattoGrinling GibbonsRegno Unito, 1648–1721

Putto with skull

ca. 1680 - ca. 1700 · Statue

Si può ammirare?

Al momento non riceve

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

Verificato
12 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Sulla scultura

This figure is badly eroded, possibly from weathering. The attribution to the London workshop of Grinling Gibbons or Arnold Quellin is suggested by comparisons with the carving on the Whitehall Palace altarpiece executed for King James II in 1686. Apparently, prior to the Museum acquiring it, this putto was in the Old Greycoat School, Westminster, London.

Victoria and Albert Museum

Scheda

ca. 1680 - ca. 1700
16481721
Numero di inventario
A.17-1982

Che cosa raffigura

PuttoSkull

In catalogo

SculturaMarmoBaroccoXVII secoloInghilterra

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London

Altre opere di Grinling Gibbons

Tutte le opere
Carving from an Overmantel, Grinling Gibbons, c. 1675–1677

Carving from an Overmantel

c. 1675–1677 · Cleveland Museum of Art

Carving from an Overmantel, Grinling Gibbons, c. 1675–1677

Carving from an Overmantel

c. 1675–1677 · Cleveland Museum of Art

Overmantel Decoration, Grinling Gibbons, c. 1675–77

Overmantel Decoration

c. 1675–77 · Cleveland Museum of Art

Centerpiece of a Carving from an Overmantel, Grinling Gibbons, c. 1675–1677

Centerpiece of a Carving from an Overmantel

c. 1675–1677 · Cleveland Museum of Art

Carving from an Overmantel, Grinling Gibbons, c. 1675–1677

Carving from an Overmantel

c. 1675–1677 · Cleveland Museum of Art

Carving from an Overmantel, Grinling Gibbons, c. 1675–77

Carving from an Overmantel

c. 1675–77 · Cleveland Museum of Art

Carving from an Overmantel, Grinling Gibbons, c. 1675–1677

Carving from an Overmantel

c. 1675–1677 · Cleveland Museum of Art

Carving from an Overmantel, Grinling Gibbons, c. 1675–1677

Carving from an Overmantel

c. 1675–1677 · Cleveland Museum of Art

Sotto lo stesso tetto: Victoria and Albert Museum

Pagina del museo
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Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sullo stesso tema · Putto

Tutte le opere sul tema
Die Heilige Sippe mit zwei musizierenden Engelknaben, Albrecht Dürer, 1511

Albrecht Dürer

Die Heilige Sippe mit zwei musizierenden Engelknaben, 1511

Herzog Anton Ulrich-Museum

Die Eifersucht, Albrecht Dürer, 1498–1499

Albrecht Dürer

Die Eifersucht, 1498–1499

Herzog Anton Ulrich-Museum

Meleagar und Atalanta, Peter Paul Rubens, 1674–1684

Peter Paul Rubens

Meleagar und Atalanta, 1674–1684

Herzog Anton Ulrich-Museum

Thetis in der Schmiede des Vulkan, Anthony van Dyck, 1686

Anthony van Dyck

Thetis in der Schmiede des Vulkan, 1686

Herzog Anton Ulrich-Museum

Christus wird von Engeln betrauert, Jusepe de Ribera, 17th century

Jusepe de Ribera

Christus wird von Engeln betrauert, 17th century

Herzog Anton Ulrich-Museum

[Ausschnitt aus dem Fresko der Himmelfahrt Maria], Antonio da Correggio, 1697

Antonio da Correggio

[Ausschnitt aus dem Fresko der Himmelfahrt Maria], 1697

Herzog Anton Ulrich-Museum

Die Madonna des heiligen Georg, Antonio da Correggio

Antonio da Correggio

Die Madonna des heiligen Georg

Gemäldegalerie Alte Meister

Apotheose der Bildenden Künste, Charles Le Brun, 1639–1690

Charles Le Brun

Apotheose der Bildenden Künste, 1639–1690

Herzog Anton Ulrich-Museum