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  3. Protecting the Cornfields from Vermin
Protecting the Cornfields from Vermin, Seth Eastman, 1849–55
Seth Eastman, ritrattoSeth EastmanStati Uniti, 1808–1875

Protecting the Cornfields from Vermin

1849–55 · Drawing

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Minneapolis Institute of Art

Minneapolis, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Sull’opera

U.S. Army Captain Seth Eastman was a trained artist who served twice on the frontier at Minnesota’s Fort Snelling, from 1830 to 1832 and again from 1841 to 1848. His extensive firsthand, peaceful encounters with Native Americans gave him extraordinary opportunities to observe their customs and practices, which he documented in his art. This moonlit scene is based not on observation, however, but on a written account.

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The watercolor belongs to a series that he made between 1849 and 1855 to illustrate Henry Rowe Schoolcraft’s six-volume survey, Historical and Statistical Information Respecting the History, Condition and Prospects of the Indian Tribes of the United States (Philadelphia: Lippincott, Grambo & Co., 1851-57). Mia’s 35 watercolors and drawings for the project represent an astounding array of subjects: muskrat hunting, fish spearing, pest control, rice gathering, maple sugaring, shelter, travel, medicine, mourning, dancing, civics, and topography. With such variety and Eastman’s well-informed clarity of depiction, they constitute an unparalleled visual account of native ways in our region.

Minneapolis Institute of Art

Scheda

1849–55 · a 41 anni
18081875
Numero di inventario
2014.31.4

In catalogo

Disegni e acquerelliAcquerelloRomanticismoRealismoXIX secoloStati Uniti

Fonti

  • Minneapolis Institute of Art
  • Immagine: Minneapolis Institute of Art — public domain

Altre opere di Seth Eastman

Tutte le opere
Ball Playing among the Sioux Indians, Seth Eastman, 1851

Ball Playing among the Sioux Indians

1851 · National Gallery of Art

Constitution Island and Foundry from West Point, New York, Seth Eastman, c. 1837

Constitution Island and Foundry from West Point, New York

c. 1837 · Non esposta · National Gallery of Art

Fort Putnam, Seth Eastman, 1837

Fort Putnam

1837 · Non esposta · National Gallery of Art

View of the North River from the North West Corner of Fort Clinton—West Point, Seth Eastman, 1837

View of the North River from the North West Corner of Fort Clinton—West Point

1837 · Non esposta · National Gallery of Art

The Falls of St. Anthony, Seth Eastman, 1848

The Falls of St. Anthony

1848 · Non esposta · Minneapolis Institute of Art

The Death Whoop, Seth Eastman, 1849–55

The Death Whoop

1849–55 · Non esposta · Minneapolis Institute of Art

Lover's Leap, Seth Eastman, c. 1841-1848

Lover's Leap

c. 1841-1848 · Non esposta · Harvard Art Museums

Eta Keazah (Sisseton-Wahpeton-Oyate/Santee Dakota) at Fort Snelling, Seth Eastman, c. 1844-45

Eta Keazah (Sisseton-Wahpeton-Oyate/Santee Dakota) at Fort Snelling

c. 1844-45 · Non esposta · Harvard Art Museums

Sotto lo stesso tetto: Minneapolis Institute of Art

Pagina del museo
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Goya curato dal dottor Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34