Princess Pauline de Metternich, Edgar Degas, c. 1865
Edgar Degas, ritrattoEdgar DegasFrancia, 1834–1917

Princess Pauline de Metternich

c. 1865 · Painting · 41 × 29 cm

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National Gallery

Londra, Regno Unito

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Numero di inventario
NG3337

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Fonti

  • Wikidata
  • Immagine: National Gallery — Edgar Degas · Public domain · Wikimedia Commons

Nella vita di Edgar Degas

Tutta la vita
  1. 1862–1864

    Meets Édouard Manet

    Manet introduced Degas to the circle of future Impressionists. Degas shared their rejection of the academic Salon but would not work in the open air.

  2. 1865

    Debut at the Salon of 1865

    The jury accepted “Scene of War in the Middle Ages”, Degas's first picture in the Salon, which attracted little attention. For the next five years he exhibited annually but sent no more history paintings.

  3. late 1860s

    The turn to modern life: racecourses, milliners, laundresses

    By the late 1860s Degas had moved from history painting to an original observation of contemporary life: racecourse scenes let him paint horses and riders in a modern setting, and then he turned to women at work — milliners and laundresses.

  4. late 1860s

    Begins modelling in wax

    Degas modelled small wax figures of dancers, bathers and jockeys for himself, in place of studies. He never worked in bronze or stone; he valued wax for its changeability, and his sculptor friend Bartholomé encouraged him.

Tutte le opere

Dalla collezione: National Gallery

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