ART WIKI32.963 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Museum of Modern Art/
  3. Princess Alice as Spring
Princess Alice as Spring, Roger Fenton, 1854
Roger Fenton, ritrattoRoger FentonRegno Unito, 1819–1869

Princess Alice as Spring

1854 · Photograph

Si può ammirare?

Al momento non riceve

Museum of Modern Art

New York, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
8 giorni fa
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1854 · a 35 anni
18191869
Numero di inventario
523.2009

In catalogo

FotografieStampa all’albuminaRealismoXIX secolo

Fonti

  • Museum of Modern Art
  • Immagine: Museum of Modern Art — © the artist or rights holder

Nel frattempo, nella vita di Roger Fenton

Tutta la vita
  1. c. 1851 – 1852

    To Paris to learn the waxed paper calotype

    Fenton travels to Paris to learn the waxed paper calotype process, most likely from Gustave Le Gray, who had modified the methods of its inventor, William Henry Fox Talbot.

  2. 1853

    Founding the London Photographic Society

    Fenton becomes a founder and first secretary of the London Photographic Society, later the Royal Photographic Society under the patronage of Prince Albert.

  3. 1854

    Commissioned to document the Crimean War

    Probably in autumn 1854, powerful friends and patrons — among them Prince Albert and the Duke of Newcastle, Secretary of State for War — urge Fenton to go to the Crimea; the London print publisher Thomas Agnew & Sons becomes his commercial sponsor. The photographs may have been meant to offset the war's unpopularity and to counter the critical reporting of William Howard Russell of The Times: they were to be converted into woodblocks for the less critical Illustrated London News.

  4. 1855

    Cholera, heat and broken ribs in the Crimea

    Despite the summer heat, breaking several ribs in a fall, suffering from cholera (the effects of which will contribute to his early death) and becoming depressed at the carnage he witnesses at Sevastopol, Fenton manages to make more than 350 usable large-format negatives.

  5. c. 1855

    An exhibition of 312 prints

    Soon after his return an exhibition of 312 prints goes on show in London, and in the following months at various places across the country; Fenton also shows them to Queen Victoria and Prince Albert and to Emperor Napoleon III in Paris. He is nevertheless disappointed that sales are less than he expected.

  6. 8 March – 22 June 1855

    Fenton at Balaklava

    Fenton sets off aboard HMS Hecla in February, lands at Balaklava on 8 March and stays until 22 June, taking Marcus Sparling as his photographic assistant, a servant known as William, and a large horse-drawn van of equipment.

Altre opere di Roger Fenton

Tutte le opere
Omar Pasha, Roger Fenton, 1855

Omar Pasha

1855 · Metropolitan Museum of Art

Windermere, Roger Fenton, 1850s

Windermere

1850s · Non esposta · National Gallery of Art

Peterborough, The West Front, Roger Fenton, 1850s

Peterborough, The West Front

1850s · Non esposta · Museum of Modern Art

Westgevel met portaal van de kathedraal te Wells, Roger Fenton, c. 1850 - c. 1870

Westgevel met portaal van de kathedraal te Wells

c. 1850 - c. 1870 · Rijksmuseum

Moscow, Domes of Churches in the Kremlin, Roger Fenton, 1852

Moscow, Domes of Churches in the Kremlin

1852 · Non esposta · National Gallery of Art

Studioportret van een onbekende jongen, Roger Fenton, 1852 - 1862

Studioportret van een onbekende jongen

1852 - 1862 · Rijksmuseum

Gezicht op de ruïne van de Abdij van Furness, Roger Fenton, c. 1852 - in or before 1862

Gezicht op de ruïne van de Abdij van Furness

c. 1852 - in or before 1862 · Rijksmuseum

Interieur van de ruïne van de Abdij van Furness, Roger Fenton, c. 1852 - in or before 1862

Interieur van de ruïne van de Abdij van Furness

c. 1852 - in or before 1862 · Rijksmuseum

Sotto lo stesso tetto: Museum of Modern Art

Pagina del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950