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  1. Collezione/
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  3. Posed Portraits, New York
Posed Portraits, New York, Walker Evans, 1931
Walker Evans, ritrattoWalker EvansStati Uniti, 1903–1975

Posed Portraits, New York

1931 · Photograph

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
l’altro ieri
Ultimo cambio di stato
19 ago 2026
Fonte
I dati di collezione del museo stesso
Sulla mappaPagina del museo

Scheda

1931 · a 28 anni
19031975
Numero di inventario
2015.19.4290

Che cosa raffigura

RitrattoNew York CityUomo

In catalogo

FotografieStampa ai sali d’argentoModernismoXX secoloAmerican

Fonti

  • National Gallery of Art: i dati aperti del museo · acquisita 8 giorni fa
  • Immagine: National Gallery of Art — © the artist or rights holder

Nel frattempo, nella vita di Walker Evans

Tutta la vita
  1. 1927–1929

    A Wall Street clerk and his New York friends

    From 1927 to 1929 Evans is a clerk for a stockbroker firm on Wall Street; among his friends in New York's literary and art crowd are John Cheever, Hart Crane and Lincoln Kirstein.

  2. 1930

    Three photographs in Hart Crane's “The Bridge”

    Three of Evans's photographs, of the Brooklyn Bridge, are published in Hart Crane's poetry book “The Bridge”.

  3. May – June 1933

    An assignment in Cuba

    In May and June 1933 Evans takes photographs in Cuba on assignment for Lippincott, the publisher of Carleton Beals' “The Crime of Cuba”, a “strident account” of the dictatorship of Gerardo Machado. He documents street life, the presence of police, beggars and dockworkers in rags, and other waterfront scenes; 31 of his photographs will appear in Beals' book.

  4. May – June 1933

    Drinking with Hemingway in Cuba

    In Cuba Evans drinks nightly with Ernest Hemingway, who lends him money to extend his two-week stay by an additional week. Fearing that his photographs might be deemed critical of the government and confiscated, he leaves 46 prints with Hemingway, and helps him acquire photos from newspaper archives documenting the political violence Hemingway describes in “To Have and Have Not” (1937).

Altre opere di Walker Evans

Tutte le opere
African Sculpture, Walker Evans, 1935

African Sculpture

1935 · Museum of Modern Art

Painted Sign on Fence, Cedar Point, Ohio, Walker Evans, 1930s

Painted Sign on Fence, Cedar Point, Ohio

1930s · Non esposta · National Gallery of Art

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Non esposta · National Gallery of Art

Manhattan, Walker Evans, c. 1928

Manhattan

c. 1928 · Non esposta · National Gallery of Art

New York City, Walker Evans, 1928-1929

New York City

1928-1929 · Non esposta · National Gallery of Art

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Non esposta · National Gallery of Art

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Non esposta · Museum of Modern Art

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Non esposta · Museum of Modern Art

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888