Pope Alexander VII

The present model - which depicts the Pope kneeling on a cushion, his hands clasped in prayer, with his papal tiara under the flowing cope - is an autograph work by Bernini. It conforms relatively closely to the finished monument, and relates also to one of the drawings for the tomb now in the Royal Collection at Windsor, which was apparently made for an earlier proposed monument in the church of Santa Maria Maggiore. The full-scale wood model with clay figures was completed in 1672, when Bernini received his final payment, but the actual monument was not finished until May 1678, when the Pope's body was transferred to it. Bernini delegated all marble carving for the tomb to assistants, who carried out this work from 1672-8. The terracotta is therefore exceptionally important as a preparatory work by the master himself.

This summary sketch reveals much about Bernini's working methods. He modelled the head separately, so that he could experiment with its angle before positioning it on the body. As with the only other surviving terracotta model for the tomb (a figure of Charity, now in the Istituto delle Belle Arti in Siena) tool marks are evident, and there are suggestions of thumb and finger prints. The hands are now missing, and there are some significant surface cracks, but the model is comparatively intact. It is a remarkable testament to Bernini's handling of clay on a small scale in preparation for what was to be a magnificent monumental Papal tomb.