Pilate Washing His Hands

1653–1661

A relationship of mutual influence with the young Luca Giordano

In Naples he developed a mutually influential relationship with the younger Luca Giordano; together they contributed to the development of the Neapolitan school of painting in the second half of the century. For the young Neapolitan artist, Preti acted as a bridge between the early naturalism of the first half of the century and the fully-fledged Baroque style.

1660–1661

Back in Rome: Valmontone and Sant’Andrea

By around 1660 he was no longer based permanently in Naples, and was initially in Rome, where he succeeded Pier Francesco Mola to complete the fresco cycle of the Elements of the Air at the Villa Pamphilij in Valmontone and made improvements to his Stories of the Saint at Sant’Andrea della Valle, painted during his earlier years in Rome. Meanwhile, in Naples, he had established a strong professional relationship with Don Antonio Ruffo, a wealthy Sicilian patron who invited him to fresco Messina Cathedral.

1661–1699

Malta: work for the island and for all of Europe

From 1661 he worked in Malta: besides the cathedral decoration he realised several paintings on the island for private patrons and parish churches, and his increased reputation brought him commissions from all over Europe. His major works in Malta include the “Conversion of Saint Paul” in St Paul’s Cathedral in Mdina, commissioned by the Knights Hospitaller, and the “Madonna and Child with Saints John the Baptist and Anthony Abbot” in the chapel of Verdala Palace in Siġġiewi.