PAYSAGE, ESQUISSE, John Constable, 1817 vers,1820 vers
John Constable, ritrattoJohn ConstableRegno Unito, 1776–1837

PAYSAGE, ESQUISSE

1817 vers,1820 vers · Painting · 15 × 21 cm

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Ultimo cambio di stato
Fonte
Il museo

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Numero di inventario
P 471

Che cosa raffigura

In catalogo

Fonti

  • Palais des Beaux-Arts de Lille
  • Immagine: Palais des Beaux-Arts de Lille — © Réunion des musées nationaux - utilisation soumise à autorisation © Hervé Lewandowski; Ministère de la Culture (France), base Joconde

Nella vita di John Constable

Tutta la vita
  1. 1816

    A marriage against the bride’s grandfather

    Maria’s grandfather, Dr Rhudde, rector of East Bergholt, opposed the match: he thought the Constables his social inferiors and threatened to disinherit her. Constable’s parents approved but offered no support until he was financially secure; they died soon afterwards, and he inherited a fifth share of the family business.

  2. 1816

    A honeymoon by the sea

    After the wedding at St Martin-in-the-Fields, conducted by Fisher, the couple stayed at Fisher’s vicarage and toured the south coast. The sea at Weymouth and Brighton pushed Constable towards brilliant colour and lively brushwork.

  3. 2 ottobre 1816

    Married: Maria Bicknell

  4. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  5. 1821

    Son born: Charles Golding Constable

  6. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

Tutte le opere

Dalla collezione: Palais des Beaux-Arts de Lille

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