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Packet Ship Passing Castle Williams, New York Harbor, Thomas Chambers, mid 19th century
Thomas ChambersStati Uniti, 1808–1869

Packet Ship Passing Castle Williams, New York Harbor

mid 19th century · Painting

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Dove si trova «Packet Ship Passing Castle Williams, New York Harbor» oggi? Collezione: National Gallery of Art, Washington. Non esposta al momento. Verificato 29 settembre 2026.

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

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Il museo
Sulla mappaPagina del museo

Scheda

Numero di inventario
1980.62.5

Che cosa raffigura

VehiclesPacket ship

In catalogo

DipintiOlioPittura americanaRomanticismoXIX secoloAmericanNaivePaesaggio marino

Fonti

Altre opere di Thomas Chambers

Tutte le opere
The Constitution and the Guerriere, Thomas Chambers, ca. 1845

The Constitution and the Guerriere

ca. 1845 · Metropolitan Museum of Art

View of West Point, Thomas Chambers, c. 1850

View of West Point

c. 1850 · Minneapolis Institute of Art

Capture of H.B.M. Frigate Macedonian by U.S. Frigate United States, October 25, 1812, Thomas Chambers, 1852

Capture of H.B.M. Frigate Macedonian by U.S. Frigate United States, October 25, 1812

1852 · Smithsonian American Art Museum

New York Harbor with Pilot Boat "George Washington", Thomas Chambers, mid 19th century

New York Harbor with Pilot Boat "George Washington"

mid 19th century · Non esposta · National Gallery of Art

Threatening Sky, Bay of New York, Thomas Chambers, mid 19th century

Threatening Sky, Bay of New York

mid 19th century · Non esposta · National Gallery of Art

Felucca off Gibraltar, Thomas Chambers, mid 19th century

Felucca off Gibraltar

mid 19th century · Non esposta · National Gallery of Art

Boston Harbor, Thomas Chambers, mid 19th century

Boston Harbor

mid 19th century · Non esposta · National Gallery of Art

The Connecticut Valley, Thomas Chambers, mid 19th century

The Connecticut Valley

mid 19th century · Non esposta · National Gallery of Art

Anche in sala: National Gallery of Art

Pagina del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Sullo stesso tema · Vehicles

Tutte le opere sul tema
Colorado Parking Lot, Andy Warhol, n.d.

Andy Warhol

Colorado Parking Lot, n.d.

Non esposta · National Gallery of Art

Automobilist, Marc Chagall, 1922

Marc Chagall

Automobilist, 1922

Non esposta · National Gallery of Art

House in Vitebsk, Marc Chagall, 1922

Marc Chagall

House in Vitebsk, 1922

Non esposta · National Gallery of Art

The Trap, Henri de Toulouse-Lautrec, 1880

Henri de Toulouse-Lautrec

The Trap, 1880

Non esposta · National Gallery of Art

William Burroughs, 11 PM late March 1985, being driven home to 222 Bowery. Experimenting with hand held half-second Rolleiflex exposure, camera upside down for view, Burroughs phantom in street light stop sign illumination fuzzy, couldn’t move back further to focus sharper, I was in rear seat., Allen Ginsberg, 1985

Allen Ginsberg

William Burroughs, 11 PM late March 1985, being driven home to 222 Bowery. Experimenting with hand held half-second Rolleiflex exposure, camera upside down for view, Burroughs phantom in street light stop sign illumination fuzzy, couldn’t move back further to focus sharper, I was in rear seat., 1985

Non esposta · National Gallery of Art

View of a Street in an Urban Landscape, Mark Rothko, mid-1930s

Mark Rothko

View of a Street in an Urban Landscape, mid-1930s

Non esposta · National Gallery of Art

Kingston Bank, No.2, Frank Short, after Joseph Mallord William Turner, 1896

Joseph Mallord William Turner

Kingston Bank, No.2, 1896

Non esposta · National Gallery of Art

Horses in a Meadow, Edgar Degas, 1871

Edgar Degas

Horses in a Meadow, 1871

Non esposta · National Gallery of Art