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  1. Collezione/
  2. National Gallery of Art/
  3. N'faites pas attention m'sieu ...
N'faites pas attention m'sieu ..., Honoré Daumier, 1848
Honoré Daumier, ritrattoHonoré DaumierFrancia, 1808–1879

N'faites pas attention m'sieu ...

1848 · Print

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1848 · a 40 anni
18081879
Numero di inventario
2015.143.1035

Che cosa raffigura

Seated figureInscriptionBottleUomoFigures

In catalogo

StampeLitografiaRomanticismoRealismoXIX secolo

Fonti

  • National Gallery of Art
  • Immagine: National Gallery of Art — Museum open access

Nel frattempo, nella vita di Honoré Daumier

Tutta la vita
  1. 1846

    Move to the Île Saint-Louis; Meeting Baudelaire

    In 1846 the couple moved to 9 Quai d'Anjou on the Île Saint-Louis, where they lived until 1863. Writers and artists gathered at the nearby Hôtel de Lauzun; there Daumier met Baudelaire, who became his close friend and champion, and grew close to Corot, Courbet, Delacroix, Millet, and Rousseau.

  2. 2 February 1846

    Birth of His Son Honoré

    On 2 February 1846 the seamstress Alexandrine Dassy gave birth to Daumier's son, named Honoré.

  3. 16 April 1846

    Marriage to Alexandrine Dassy

    On 16 April 1846 Daumier married Alexandrine Dassy.

  4. 1848

    Sketch "The Republic" Among Competition Finalists

    On Courbet's advice, Daumier submitted an oil sketch, "The Republic" (now in the Musée d'Orsay), to the competition for an allegory of the new Republic; it was very well received and was among the twenty finalists, but Daumier never executed the finished painting.

  5. 1848

    Albums on the Revolution of 1848

    The Revolution of 1848 provided the material for two of Daumier's albums, "Parliamentary Idylls" and "The Representatives Represented"; he once again launched a political campaign in the pages of Le Charivari.

  6. 1849

    First Participation in the Salon

    In 1849 Daumier exhibited at the Salon for the first time, showing the painting "The Miller, His Son, and the Donkey"; from the late 1840s he devoted himself increasingly to painting.

Altre opere di Honoré Daumier

Tutte le opere
The Third-Class Carriage, Honoré Daumier, 1864

The Third-Class Carriage

1864 · Metropolitan Museum of Art

Jean-Marie Fruchard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Jean-Marie Fruchard

model c. 1832/1835, cast 1929/1930 · National Gallery of Art

Jean-Charles Persil, Honoré Daumier, model c. 1832/1835, cast 1929/1940

Jean-Charles Persil

model c. 1832/1835, cast 1929/1940 · National Gallery of Art

Auguste Gady, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Auguste Gady

model c. 1832/1835, cast 1929/1950 · National Gallery of Art

Pierre-Paul Royer-Collard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Pierre-Paul Royer-Collard

model c. 1832/1835, cast 1929/1930 · National Gallery of Art

Alexandre-Simon Pataille, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Alexandre-Simon Pataille

model c. 1832/1835, cast 1929/1950 · National Gallery of Art

Horace-François-Bastien Sébastiani (?), Honoré Daumier, model c. 1832/1835, cast 1929/1940

Horace-François-Bastien Sébastiani (?)

model c. 1832/1835, cast 1929/1940 · National Gallery of Art

Jacques-Antoine-Adrien, Baron Delort, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Jacques-Antoine-Adrien, Baron Delort

model c. 1832/1835, cast 1929/1950 · National Gallery of Art

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Sullo stesso tema · Seated figure

Tutte le opere sul tema
a) The Last Supper; b) Putti, Vincenzo Tamagni, after Leonardo da Vinci, c. 1515

Leonardo da Vinci

a) The Last Supper; b) Putti, c. 1515

Non esposta · National Gallery of Art

Potato Eaters, Vincent van Gogh, 1885

Vincent van Gogh

Potato Eaters, 1885

Non esposta · National Gallery of Art

Marie-Thérèse as an Idol and Three Bearded Greeks (Marie-Thérèse en idole et trois grecs barbus), Pablo Picasso, 1934

Pablo Picasso

Marie-Thérèse as an Idol and Three Bearded Greeks (Marie-Thérèse en idole et trois grecs barbus), 1934

Non esposta · National Gallery of Art

Two Women at the Bath (Deux femmes au bain), Pablo Picasso, 1934

Pablo Picasso

Two Women at the Bath (Deux femmes au bain), 1934

Non esposta · National Gallery of Art

Marie-Thérèse Looking at Her Sculpted Body (Marie-Thérèse regardant son corps sculpté), Pablo Picasso, 1933

Pablo Picasso

Marie-Thérèse Looking at Her Sculpted Body (Marie-Thérèse regardant son corps sculpté), 1933

Non esposta · National Gallery of Art

Two Desparate Men on the Seashore (Deux viellards et voilier), Pablo Picasso, 1934

Pablo Picasso

Two Desparate Men on the Seashore (Deux viellards et voilier), 1934

Non esposta · National Gallery of Art

Female Bathers (Femmes au bain), Pablo Picasso, 1934

Pablo Picasso

Female Bathers (Femmes au bain), 1934

Non esposta · National Gallery of Art

Two Catalonian Drinkers (Deux buveurs catalans), Pablo Picasso, 1934

Pablo Picasso

Two Catalonian Drinkers (Deux buveurs catalans), 1934

Non esposta · National Gallery of Art