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Narcotics Addict, Chicago, Illinois, Gordon Parks, 1957
Gordon Parks, ritrattoGordon ParksStati Uniti, 1912–2006

Narcotics Addict, Chicago, Illinois

1957 · Photograph

Si può ammirare?

Al momento non riceve

Museum of Modern Art

New York, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
8 giorni fa
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1957 · a 45 anni
19122006
Numero di inventario
440.2019

In catalogo

FotografieStampa a getto d’inchiostroArte del dopoguerraXX secolo

Fonti

  • Museum of Modern Art
  • Immagine: Museum of Modern Art — © the artist or rights holder

Nel frattempo, nella vita di Gordon Parks

Tutta la vita
  1. 1948–1972

    Photographs Malcolm X, Muhammad Ali, Barbra Streisand

    In more than twenty years at Life he photographs fashion, sports, Broadway, poverty and racial segregation, as well as portraits of Malcolm X, Stokely Carmichael, Muhammad Ali and Barbra Streisand. Malcolm X asks him to be the godfather of his daughter Qubilah Shabazz.

  2. 1950s

    Consults on Hollywood productions

    In the 1950s he works as a consultant on various Hollywood productions; he will later direct a series of documentaries on Black ghetto life commissioned by National Educational Television.

  3. 1956

    Photo essay “The Restraints: Open and Hidden”

    Life publishes his photo essay on the effects of racial segregation, following the everyday lives of three families — the Thorntons, Causeys and Tanners — in and near Mobile, Alabama. Instead of demonstrations, boycotts and brutality, he emphasises the prosaic details of their lives.

Altre opere di Gordon Parks

Tutte le opere
Washington, D.C. Government Charwoman (American Gothic), Gordon Parks, July 1942, printed later

Washington, D.C. Government Charwoman (American Gothic)

July 1942, printed later · National Gallery of Art

Off on My Own, Harlem, New York, Gordon Parks, 1948, printed 2019

Off on My Own, Harlem, New York

1948, printed 2019 · Non esposta · National Gallery of Art

Doll Test, Harlem, New York, Gordon Parks, 1947, printed 2019

Doll Test, Harlem, New York

1947, printed 2019 · Non esposta · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941

Langston Hughes, Chicago

December 1941 · Non esposta · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941, printed later

Langston Hughes, Chicago

December 1941, printed later · Non esposta · National Gallery of Art

Self-Portrait, Gordon Parks, 1941

Self-Portrait

1941 · Non esposta · National Gallery of Art

Marva Louis, Chicago, Gordon Parks, 1941

Marva Louis, Chicago

1941 · Non esposta · National Gallery of Art

Washington (southwest section), D.C. Negro woman in her bedroom, Gordon Parks, November 1942, printed later

Washington (southwest section), D.C. Negro woman in her bedroom

November 1942, printed later · Non esposta · National Gallery of Art

Sotto lo stesso tetto: Museum of Modern Art

Pagina del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950