
Ivan Kramskoi1837–1887Мина Моисеев
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Создание собирательных образов людей из народа Крамской считал одной из важнейших задач современного искусства. «А народ-то что может дать! Боже мой, какой громадный родник!» — писал он Илье Репину. В портрете Мины Моисеева ярко проявилось свойственное художнику умение концентрировать внимание на самом существенном. В облике крестьянина, в его свободной, непринужденной позе ощущаются внутреннее спокойствие и независимость. Изборожденное морщинами старческое лицо излучает человеческое тепло, доброту, свидетельствуя об умудренности и жизненном опыте. Русский музей. От иконы до современности. СПб. 2015. С . 181.
Museo russo
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- Numero di inventario
- Ж-2993
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- Museo russo
- Immagine: Museo russo — © State Russian Museum
Nella vita di Ivan Kramskoi
Tutta la vitain the last years of life
Illness: Cardiac Aneurysm
In the last years of his life Kramskoi suffered from a cardiac aneurysm; he died of an aortic aneurysm while at work.
1881
Purchase of Land and Building a Dacha at Siverskaya
In 1881 Kramskoi bought land near Siverskaya station on the right bank of the Oredezh River and built a dacha with a studio there.
1883
"The Unknown Woman" at the 11th Peredvizhniki Exhibition
Appearing at the 11th exhibition of the Society for Travelling Art Exhibitions in Saint Petersburg in 1883, "The Unknown Woman" immediately attracted universal attention and gave rise to conflicting interpretations.
1884
Treatment in Menton, Last Trip Abroad
In 1884, on the advice of Dr. Sergei Botkin, Kramskoi, suffering from a "heart ailment," made his last trip abroad to Menton in the south of France, accompanied by his daughter Sofia; his last self-portrait was painted there.


















