Boris Kustodiev1878–1927Масленица
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San Pietroburgo, Russia
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- Ultimo cambio di stato
- Fonte
- Il museo
Sull’opera
Con le parole del museo — in russo
С 1919 года Кустодиев начинает работу над классическим и современным материалом для драматических и музыкальных театров Петрограда. Ф. И. Шаляпин привлек его к оформлению оперы А. Н. Серова «Вражья сила», поставленной в 1920 году в бывшем Мариинском театре. Именно это сотрудничество, полное гармонии и энтузиазма, очаровавшее обе стороны, способствовало появлению в 1920–1922 годах серии портретов великого певца .
Museo russo
Scheda
- Numero di inventario
- РС-797
Che cosa raffigura
In catalogo
Fonti
- Museo russo
- Immagine: Museo russo — © State Russian Museum
Nella vita di Boris Kustodiev
Tutta la vitasummer 1917
A summer at the Konkala sanatorium in Vyborg
After his second operation Kustodiev spent the summer at the Konkala sanatorium in Vyborg, painting there portraits of Countess S. A. Grabowska against a pine park, of Lopatina and of Anita Budengof, the picture “On the Bridge” and the landscapes “Konkola (Finland)” and “Forest Lake at Konkola”.
1918
Decorates Petrograd for the first anniversary of October
After the Revolution Kustodiev helped decorate Petrograd for the first anniversary of the October Revolution, and drew posters, popular prints and pictures on revolutionary themes.
1918–1921
Opera designs: “The Snow Maiden”, “The Tsar's Bride”
His opera designs were a success: “The Snow Maiden” for the Bolshoi Theatre (1918, never staged), “The Tsar's Bride” at the Bolshoi Opera Theatre of the People's House (1920), and set and costume designs for Serov's “The Power of the Fiend” at the former Mariinsky Theatre (1921).
