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Markuskirche in Venedig, Karl Leipold
Karl Leipold

Markuskirche in Venedig

Painting

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Albertinum

Dresda, Germania

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ItaliaStadtlandschaft

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Altre opere di Karl Leipold

Tutte le opere
Blick auf die Markuskirche in Venedig, Karl Leipold

Blick auf die Markuskirche in Venedig

Albertina

Dalla collezione: Albertinum

Pagina del museo
Quittenstillleben, Vincent van Gogh, 1887–1888

Vincent van Gogh

Quittenstillleben, 1887–1888

Seineböschung bei Lavacourt, Claude Monet, 1879

Claude Monet

Seineböschung bei Lavacourt, 1879

Parau Api. Gibt´s was Neues?, Paul Gauguin, 1892

Paul Gauguin

Parau Api. Gibt´s was Neues?, 1892

Zwei Freundinnen, Henri de Toulouse-Lautrec, 1895

Henri de Toulouse-Lautrec

Zwei Freundinnen, 1895

Bildnis des Capitaine Édouard Bernier, Pierre-Auguste Renoir, 1871

Pierre-Auguste Renoir

Bildnis des Capitaine Édouard Bernier, 1871

Dame in Rosa (Madame Martin), Édouard Manet, 1879–1881

Édouard Manet

Dame in Rosa (Madame Martin), 1879–1881

Rast bei der Heuernte, Caspar David Friedrich, 1834–1835

Caspar David Friedrich

Rast bei der Heuernte, 1834–1835

Abend am Ostseestrand, Caspar David Friedrich, 1831

Caspar David Friedrich

Abend am Ostseestrand, 1831

Sullo stesso tema · Italia

Tutte le opere sul tema
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

Non esposta · National Gallery of Art

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Non esposta · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Non esposta · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Non esposta · National Gallery of Art

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Non esposta · National Gallery of Art