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  3. Marbles
Marbles, James McNeill Whistler, c. 1887
James Abbott McNeill Whistler, ritrattoJames Abbott McNeill WhistlerStati Uniti, 1834–1903

Marbles

c. 1887 · Print

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
l’altro ieri
Ultimo cambio di stato
19 ago 2026
Fonte
I dati di collezione del museo stesso
Sulla mappaPagina del museo

Scheda

c. 1887
18341903
Numero di inventario
1943.3.8588

Che cosa raffigura

Strada urbanaSeated figureDoorFigures

In catalogo

StampeAcquaforteImpressionismoXIX secoloAmerican

Fonti

  • National Gallery of Art: i dati aperti del museo · acquisita 8 giorni fa
  • Immagine: National Gallery of Art — Museum open access

Nel frattempo, nella vita di James Abbott McNeill Whistler

Tutta la vita
  1. February 1885

    The "Ten O'Clock" Lecture

    In February 1885 Whistler delivered his "Ten O'Clock" lecture — the principal statement of his "art for art's sake" credo, opposed to the Victorian view of art's moral function.

  2. 1885–1888 · Affiliazione

    Royal Society of British Artists

  3. 1 June 1886

    President of the Society of British Artists

    On 1 June 1886 Whistler was elected president of the Society of British Artists; after his gift to Queen Victoria the Society received royal status. On 4 June 1888, following a rift with the Royal Academy, he was removed from the post and left the Society with 25 supporters.

  4. 11 August 1888

    Marriage to Beatrice Godwin

    On 11 August 1888 Whistler married Beatrice Godwin, the widow of his friend the architect Edward Godwin. The ceremony was held privately for fear of disruption by Maud Franklin; the couple soon left for Paris.

Altre opere di James Abbott McNeill Whistler

Tutte le opere
Symphony in White, No. 1: The White Girl, James McNeill Whistler, 1861-1863, 1872

Sinfonia in bianco, ritratto n. 1

1861-1863, 1872 · National Gallery of Art

Battersea Reach, James McNeill Whistler, c. 1863

Battersea Reach

c. 1863 · National Gallery of Art

Cremorne Gardens, No. 2, James McNeill Whistler, ca. 1870–80

Cremorne Gardens, No. 2

ca. 1870–80 · Metropolitan Museum of Art

The Seashore, James Abbott McNeill Whistler, 1883–85

The Seashore

1883–85 · Minneapolis Institute of Art

Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, James McNeill Whistler, 1883

Arrangement in Flesh Colour and Black: Portrait of Theodore Duret

1883 · Metropolitan Museum of Art

Alice Butt, James McNeill Whistler, c. 1895

Alice Butt

c. 1895 · National Gallery of Art

Violet and Silver—The Deep Sea, James McNeill Whistler, 1893

Violet and Silver—The Deep Sea

1893 · Art Institute of Chicago

Trouville (Grey and Green, the Silver Sea), James McNeill Whistler, 1865

Trouville (Grey and Green, the Silver Sea)

1865 · Art Institute of Chicago

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888