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  1. Collezione/
  2. Musée national de la Renaissance/
  3. Manlius
Manlius, Hendrick Goltzius, 1590 entre,1600 et
Hendrick Goltzius, ritrattoHendrick GoltziusPaesi Bassi, 1558–1617

Manlius

1590 entre,1600 et · Painting · 215 × 110 cm

Si può ammirare?

Non si sa

MNR
Musée national de la Renaissance

Écouen, Francia

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato
5 ott 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1590 entre,1600 et
15581617
Numero di inventario
E.Cl. 1533 f

Nel frattempo, nella vita di Hendrick Goltzius

Tutta la vita
  1. late 1580s

    Depression and consumption

    From the late 1580s he suffered from depression and consumption; his family life was unhappy.

  2. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  3. January 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

  4. August 1591

    Return to Haarlem with a collection of drawings

    He returned to Haarlem, bringing from Italy a large collection of drawings that he used for the rest of his life; from the Roman material three engravings of classical statues are known, including the Farnese Hercules.

  5. mid-1590s

    Turn toward classicism

    In the mid-1590s his art underwent a gradual stylistic turn toward classicism; at the same time he began executing large finished pen drawings on parchment in a calligraphic technique imitating the methods of burin engraving.

Altre opere di Hendrick Goltzius

Tutte le opere

Dalla collezione: Musée national de la Renaissance

Pagina del museo

c. 1600

Abandoning engraving for painting

Around 1600, partial paralysis of his right hand (maimed in childhood in a fall onto burning coals) forced Goltzius to give up engraving and turn to painting; he handed over his print publishing to his stepson Jacob Matham. About fifty surviving paintings are attributed to him.

Che cosa raffigura

Scène historique (Marcus Manlius, homme, soldat, cheval, bouclier)

In catalogo

DipintiPittura olandeseRinascimentoXVI secoloPays-Bas (d'après)

Fonti

  • Musée national de la Renaissance
  • Immagine: Musée national de la Renaissance — © Gérard Blot ; © Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde
Lot and his Daughters, Hendrick Goltzius, 1616

Lot and his Daughters

1616 · Rijksmuseum

Fall of Man, Hendrick Goltzius, 1608

Fall of Man

1608 · Ermitage

Baptism, Hendrick Goltzius, 1608

Baptism

1608 · Ermitage

Dying Adonis, Hendrick Goltzius, 1609

Dying Adonis

1609 · Rijksmuseum

Vertumnus and Pomona, Hendrick Goltzius, 1613

Vertumnus and Pomona

1613 · Rijksmuseum

The Fall of Man, Hendrick Goltzius, 1616

The Fall of Man

1616 · National Gallery of Art

Apollo, Hendrick Goltzius, 1588

Apollo

1588 · Cleveland Museum of Art

Apollo Belvedere, Hendrick Goltzius, 1592

Apollo Belvedere

1592 · Cleveland Museum of Art

Albert Rubens, 1657

Albert Rubens, 1657

La Sainte Famille, 1600 vers

La Sainte Famille, 1600 vers

La Tête de saint Jean-Baptiste, 1600 vers

La Tête de saint Jean-Baptiste, 1600 vers

Le Christ en croix, 1600 vers

Le Christ en croix, 1600 vers

Mascaron du Pont-Neuf, 1600 vers

Mascaron du Pont-Neuf, 1600 vers

Sainte Madeleine, 1600 vers

Sainte Madeleine, 1600 vers

Calpurnius, Hendrick Goltzius, 1590 entre,1600 et

Hendrick Goltzius

Calpurnius, 1590 entre,1600 et

Curtius, Hendrick Goltzius, 1590 entre,1600 et

Hendrick Goltzius

Curtius, 1590 entre,1600 et