ART WIKI 32.963 in sala

Mappa Collezione Artisti Musei Mostre Rivista

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

Mappa
Ricerca
Collezione
Capolavori
Esposte ora
Artisti

Altro

Musei e gallerie
Mostre
Rivista
Da dove vengono i dati
Privacy e cookie

Home Mappa Catalogo

Collezione
National Gallery of Art
Lucille Corcos

Lucille Corcos, Adolph Gottlieb, 1934

Lucille Corcos

1934 · Painting

Scheda

1934 · a 31 anni

19031974

Numero di inventario: 2015.19.198

Altre opere di Adolph Gottlieb

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo

Sullo stesso tema · Waist-length facing front

Tutte le opere sul tema

AAdolph GottliebStati Uniti, 1903–1974

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato: 3 giorni fa
Ultimo cambio di stato: 19 ago 2026
Fonte: Il museo

Sulla mappa Pagina del museo

Che cosa raffigura

Waist-length facing front Corcos, Lucille

In catalogo

Dipinti Olio Pittura americana Modernismo XX secolo American

Fonti

National Gallery of Art
Immagine: National Gallery of Art — © the artist or rights holder

Tournament, Adolph Gottlieb, 1951

Tournament

1951 · Museum of Modern Art

Pictograph-Symbol, Adolph Gottlieb, 1942

Pictograph-Symbol

1942 · Art Institute of Chicago

Composition, Adolph Gottlieb, c. 1939

Composition

c. 1939 · Non esposta · National Gallery of Art

Pictograph, Adolph Gottlieb, 1942

Pictograph

1942 · Non esposta · National Gallery of Art

Untitled (Etching # B), Adolph Gottlieb, c. 1942

Untitled (Etching # B)

c. 1942 · Non esposta · Museum of Modern Art

Untitled, Adolph Gottlieb, c. 1943

Untitled

c. 1943 · Non esposta · Museum of Modern Art

Montage, Adolph Gottlieb, c. 1944

Montage

c. 1944 · Non esposta · Museum of Modern Art

Head, Adolph Gottlieb, c. 1944

Head

c. 1944 · Non esposta · Museum of Modern Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Richard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York, Allen Ginsberg, 1984, printed 1992

Allen Ginsberg

Richard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York, 1984, printed 1992

Non esposta · National Gallery of Art

William Burroughs amusing himself with 1953's recent translation of St.-Jean Perse's _Vents_, living room floor 206 East 7th Street New York City, Fall '53., Allen Ginsberg, 1953, printed later

Allen Ginsberg

William Burroughs amusing himself with 1953's recent translation of St.-Jean Perse's _Vents_, living room floor 206 East 7th Street New York City, Fall '53., 1953, printed later

Non esposta · National Gallery of Art

Harry Smith, ethnomusicologist & Cat's Cradle string game expert, displaying "cat's whiskers" design. He'd been weakening malnourished in Franciscan shelter on N.Y. Bowery, came here to stay weeks in my apartment, we went together by plane to Naropa Institute Boulder Colorado where he was resident alchemist- philosopher at the Kerouac Poetics school for several years till his last trip back to Manhattan to receive Obie award for life - long preservation of American Folk Music, and death soon after in 1991 at the Chelsea Hotel., Allen Ginsberg, 1988, printed 1995

Allen Ginsberg

Harry Smith, ethnomusicologist & Cat's Cradle string game expert, displaying "cat's whiskers" design. He'd been weakening malnourished in Franciscan shelter on N.Y. Bowery, came here to stay weeks in my apartment, we went together by plane to Naropa Institute Boulder Colorado where he was resident alchemist- philosopher at the Kerouac Poetics school for several years till his last trip back to Manhattan to receive Obie award for life - long preservation of American Folk Music, and death soon after in 1991 at the Chelsea Hotel., 1988, printed 1995

Non esposta · National Gallery of Art

Gary Snyder with Parka, Kausani...Himalayan backdrop, 1963 India, Allen Ginsberg, 1963, printed later

Allen Ginsberg

Gary Snyder with Parka, Kausani...Himalayan backdrop, 1963 India, 1963, printed later

Non esposta · National Gallery of Art

Raymond Foye, who age 8 was Kerouac's newspaper delivery boy in Lowell, Mass. later working for City Lights edited Bob Kaufman's books (also for New Directions) & John Wieners' _Selected Poems_ for Black Sparrow; then senior Editor Hanuman books, arranged my collaborations with Francesco Clemente & catalogued my photo negatives '47-'85, curated first photo show. Xmas 1986 in Japanese restaurant 1st Ave + 10 Street Manhattan., Allen Ginsberg, 1986, printed 1991

Allen Ginsberg

Raymond Foye, who age 8 was Kerouac's newspaper delivery boy in Lowell, Mass. later working for City Lights edited Bob Kaufman's books (also for New Directions) & John Wieners' _Selected Poems_ for Black Sparrow; then senior Editor Hanuman books, arranged my collaborations with Francesco Clemente & catalogued my photo negatives '47-'85, curated first photo show. Xmas 1986 in Japanese restaurant 1st Ave + 10 Street Manhattan., 1986, printed 1991

Non esposta · National Gallery of Art

Myself seen by William Burroughs, Kodak Retina new-bought 2’d hand from Bowery hock-shop, our apartment roof Lower East Side between Avenues B & C, Tompkins Park trees under new antennae. Alan Ansen, Gregory Corso & Jack Kerouac visited, Jack’s _The Subterraneans_ records much of the scene, Burroughs & I edited letter-manuscripts he’d sent from Mexico & South America, Alene Lee (“Mardou Fox” of _The Subterraneans_) typed final drafts. Neighborhood was heavily Polish & Ukranian, some artists, junkies, medical students, cheap restaurants like “Leshkos” corner 7th & A, rent was only ¼ of my monthly $120 wage as newspaper copyboy. Time of “The Green Automobile” poem to Cassady, Fall 1953., Allen Ginsberg, 1953, printed 1995

Allen Ginsberg

Myself seen by William Burroughs, Kodak Retina new-bought 2’d hand from Bowery hock-shop, our apartment roof Lower East Side between Avenues B & C, Tompkins Park trees under new antennae. Alan Ansen, Gregory Corso & Jack Kerouac visited, Jack’s _The Subterraneans_ records much of the scene, Burroughs & I edited letter-manuscripts he’d sent from Mexico & South America, Alene Lee (“Mardou Fox” of _The Subterraneans_) typed final drafts. Neighborhood was heavily Polish & Ukranian, some artists, junkies, medical students, cheap restaurants like “Leshkos” corner 7th & A, rent was only ¼ of my monthly $120 wage as newspaper copyboy. Time of “The Green Automobile” poem to Cassady, Fall 1953., 1953, printed 1995

Non esposta · National Gallery of Art

Lawrence Ferlinghetti taking morning expresso at Café Puccini a block or so up Columbus from his City Lights Books, March 16, 1985., Allen Ginsberg, 1985, printed 1991

Allen Ginsberg

Lawrence Ferlinghetti taking morning expresso at Café Puccini a block or so up Columbus from his City Lights Books, March 16, 1985., 1985, printed 1991

Non esposta · National Gallery of Art

Ai Wei Wei sometime around Tompkins Square Riots, Police cars by the Park, Avenue A., Allen Ginsberg, 1988

Allen Ginsberg

Ai Wei Wei sometime around Tompkins Square Riots, Police cars by the Park, Avenue A., 1988

Non esposta · National Gallery of Art