Lot's Wife, Anselm Kiefer, 1989
Anselm KieferGermania, 1945

Lot's Wife

1989 · Painting

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Cleveland Museum of Art

Cleveland, Stati Uniti

Sala229B Contemporary

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As a German artist, Kiefer struggles with the aftermath of the Holocaust and creates work that engages history, ethical issues of the present, and German identity through images emblematic of Nazi sites. This barren, deeply recessed landscape is divided by train tracks, recalling the deportation and death issued by the Nazi party. A substructure of lead mounted on wood is marked by footprints and tire tracks, plastered, burned, and covered with ash. The raw natural materials and destructive artistic process symbolize human tragedy. Salt, applied to the upper half of the work, connects the historical event with the biblical narrative of Lot’s escape from Sodom and Gomorrah. Lot’s wife, who disobeyed warnings not to look back at God’s destruction of the cities, was turned into a pillar of salt.

Cleveland Museum of Art

Scheda

Numero di inventario
1990.8.a

In catalogo

Fonti

Nella vita di Anselm Kiefer

Tutta la vita
  1. 1980s

    Kabbalah, alchemy and lead

    In the 1980s Kiefer studied the Kabbalah and Kabbalists such as Robert Fludd. Lead, which became his chief material, first attracted him when he had to repair ageing pipes in the first house he owned; later he discovered its connection with alchemy. Extended journeys to the US and the Middle East also influenced his work.

  2. 1987

    Exhibition at the Art Institute of Chicago

    The Art Institute of Chicago organised a comprehensive solo exhibition of Kiefer's work.

  3. 12 giugno 1987 – 20 settembre 1987

    Exhibition: documenta 8

  4. 1988

    Turns a brick factory in Höpfingen into an artwork

    Kiefer's studio moved from the attic of the former school in Hornbach to a factory building in nearby Buchen; in 1988 he transformed a former brick factory in Höpfingen into an extensive artwork with numerous installations and sculptures.

  5. 1990 · Premio

    Goslarer Kaiserring

  6. 1991

    Leaves Germany to travel the world

    In 1991, after twenty years of work in the Odenwald, Kiefer left Germany to travel the world — to India, Mexico, Japan, Thailand, Indonesia, Australia and the United States.

Tutte le opere

Nella stessa sala · 229B Contemporary, Cleveland Museum of Art

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