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Liegender männlicher Akt, Max Klinger, 1889
Max Klinger, ritrattoMax KlingerGermania, 1857–1920

Liegender männlicher Akt

1889 · Drawing

Si può ammirare?

Non si sa

Kupferstich-Kabinett

Dresda, Germania

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato
27 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1889 · a 32 anni
18571920

In catalogo

Disegni e acquerelliImpressionismoXIX secolo

Fonti

  • Kupferstich-Kabinett
  • Immagine: Kupferstich-Kabinett — In Copyright

Nel frattempo, nella vita di Max Klinger

Tutta la vita
  1. March 1887

    Meets Arnold Böcklin

    He returns to Berlin, where he meets the Swiss artist Arnold Böcklin and grows spiritually close to him; from September he lives in Leipzig.

  2. 1889

    Invited to exhibit with Les XX

    The members of Les XX (The Twenty) invite Klinger to exhibit his work in their annual winter exhibition in Brussels.

  3. 1889–1893

    Years in Rome

    He settles in Rome and studies the Italian masters: 15th-century artists and works from antiquity are a revelation to him, and he intensifies his studies of anatomy, the nude and the representation of mass and volume — a very productive time. Other accounts say he arrived in Rome already in 1888.

  4. 1891

    Treatise “Painting and Drawing”

    His polemical treatise “Painting and Drawing” (Malerei und Zeichnung), begun in Paris, is published: Klinger asserts a new role for prints and the graphic arts, distinct from painting and best suited to stylistic and conceptual experimentation. The book is a success and appears in Russian in 1908.

  5. 1891

    Elected a full member of the Munich Academy

    He stays in Munich, where he is elected a full member of the Academy of Fine Arts; he then travels to Italy again.

  6. 1891 · Affiliazione

    Academy of Fine Arts, Munich

Altre opere di Max Klinger

Tutte le opere
Evocation (Evocation), Max Klinger

Evocation (Evocation)

Non esposta · National Gallery of Art

Ex libris van Max Klinger, Max Klinger, 1867 - 1920

Ex libris van Max Klinger

1867 - 1920 · Rijksmuseum

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto), Max Klinger

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto)

Kupferstich-Kabinett

Umrahmungen zu "Amor und Psyche", Blatt 2, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 2

Kupferstich-Kabinett

Umrahmung zu "Amor und Psyche", Blatt 23, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 23

Kupferstich-Kabinett

Umrahmungen zu "Amor und Psyche", Blatt 4, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 4

Kupferstich-Kabinett

Umrahmung zu "Amor und Psyche", Blatt 21, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 21

Kupferstich-Kabinett

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5, Max Klinger

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5

Kupferstich-Kabinett