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  1. Collezione/
  2. Museo del Louvre/
  3. Les Pèlerins d'Emmaüs
Les Pèlerins d'Emmaüs, Titien, XVIe siècle (1500 - 1600)
Titian, ritrattoTitianItalia, 1490–1576

Les Pèlerins d'Emmaüs

XVIe siècle (1500 - 1600) · Peintures

Si può ammirare?

Sì, riceve visite

Museo del Louvre

Parigi, Francia

Sala711, Aile Denon, Niveau 1

Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

Verificato
12 giorni fa
Ultimo cambio di stato
26 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Sul dipinto

I pellegrini di Emmaus (in francese: Les Pèlerins d'Emmaüs, chiamati anche la Cena in Emmaus (Le Souper à Emmaüs) è un dipinto a olio su tela (169x244 cm) di Tiziano, databile al 1533-1534 circa e conservato al Louvre di Parigi.

Wikipedia · CC BY-SA

Scheda

Numero di inventario
INV 746

Nel frattempo, nella vita di Titian

Tutta la vita
  1. 1516–1517

    First Painter of the Republic of Venice

    After the death of Giovanni Bellini, the “patriarch of Venetian painting”, in November 1516 Titian was given the title of First Painter of the Republic (he had petitioned for the post as early as 1513). The title carried a decent salary but obliged him to paint portraits of newly elected doges for a symbolic fee; Titian kept it until his death.

  2. 1533

    Bologna: Count Palatine and Knight of the Golden Spur

    In 1533, after painting a portrait of Emperor Charles V in Bologna, Titian was made a Count Palatine and Knight of the Golden Spur; his children were reportedly also made nobles of the Empire. He was court painter to Charles V from 1533 and received from him a heavy gold chain.

  3. 1545–1546

    A triumphant trip to Rome

    In 1545–1546 Titian made a triumphant trip to Rome, painting portraits of Pope Paul III and meeting Michelangelo. Returning to Venice, he found that the most lucrative commissions were going to other, younger artists.

  4. 1547–1548

    Augsburg: the “Equestrian Portrait of Charles V”

    In 1547 Titian was summoned from Venice to Augsburg to paint portraits of Charles V and other dignitaries; at the Diet in early 1548 he completed six paintings, among them the “Equestrian Portrait of Charles V”. He also made the emperor aware that he had not received a single payment of his stipend, and on 10 July 1548 Charles V granted him a second annual pension of 100 scudi.

  5. 27 August 1576

Altre opere di Titian

Tutte le opere

Nella stessa sala · Salle 711, Aile Denon, Niveau 1, Museo del Louvre

Pagina del museo

Dies at the height of the plague

While the plague raged in Venice, Titian died on 27 August 1576; given the modern scholarly consensus on his birth date, he would have been at least eighty-six years old and no more than ninety.

  • 27 agosto 1576

    Died

  • In catalogo

    DipintiOlioPittura italianaPittura venezianaRinascimentoXVI secolo

    Fonti

    • Museo del Louvre
    • Immagine: Museo del Louvre — © 2019 GrandPalaisRmn (musée du Louvre) / Franck Raux
    Venus and Adonis, Titian, 1550s

    Venus and Adonis

    1550s · Metropolitan Museum of Art

    La Mise au tombeau ou Le Transport du Christ vers le tombeau, Titien, 1e quart du XVIe siècle (1500 - 1525)

    La Mise au tombeau ou Le Transport du Christ vers le tombeau

    1e quart du XVIe siècle (1500 - 1525) · Museo del Louvre

    Portrait d'homme, dit L'Homme au gant, Titien, 1e quart du XVIe siècle (1500 - 1525)

    Uomo dal guanto

    1e quart du XVIe siècle (1500 - 1525) · Museo del Louvre

    Allégorie conjugale (Allégorie de la séparation?), dit à tort Allégorie d'Alphonse d'Avalos, Titien, XVIe siècle (1500 - 1600)

    Allégorie conjugale (Allégorie de la séparation?), dit à tort Allégorie d'Alphonse d'Avalos

    XVIe siècle (1500 - 1600) · Museo del Louvre

    La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice, Titien, 1e quart du XVIe siècle (1500 - 1525)

    La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice

    1e quart du XVIe siècle (1500 - 1525) · Museo del Louvre

    Saint Jérôme pénitent, Titien, XVIe siècle (1500 - 1600)

    Saint Jérôme pénitent

    XVIe siècle (1500 - 1600) · Museo del Louvre

    Portrait d'homme, main à la ceinture, Titien, 1e quart du XVIe siècle (1500 - 1525)

    Portrait d'homme, main à la ceinture

    1e quart du XVIe siècle (1500 - 1525) · Museo del Louvre

    La Vierge à l'Enfant avec sainte Catherine d'Alexandrie et un berger,  dit La Vierge au lapin, Titien, XVIe siècle (1500 - 1600)

    Madonna del Coniglio

    XVIe siècle (1500 - 1600) · Museo del Louvre

    Portrait de Lisa Gherardini, épouse de Francesco del Giocondo, dit La Joconde ou Monna Lisa, Léonard de Vinci, 1e quart du XVIe siècle (1503 - 1519)

    Leonardo da Vinci

    La Gioconda, 1e quart du XVIe siècle (1503 - 1519)

    La Vierge au lapin, Manet, Édouard, Milieu du XIXe siècle (1840 - 1860)

    Édouard Manet

    La Vierge au lapin, Milieu du XIXe siècle (1840 - 1860)

    Ecce Homo, Titien, 2e moitié du XVIe siècle (1550 - 1600)

    Titian

    Ecce Homo, 2e moitié du XVIe siècle (1550 - 1600)

    Jupiter et Antiope, dit aussi La Vénus du Pardo, Titien, 2e quart du XVIe siècle (1525 - 1550)

    Titian

    Jupiter et Antiope, dit aussi La Vénus du Pardo, 2e quart du XVIe siècle (1525 - 1550)

    La Femme au miroir, Titien, 2e quart du XVIe siècle (1525 - 1550)

    Titian

    Donna allo specchio, 2e quart du XVIe siècle (1525 - 1550)

    Le Couronnement d'épines, Titien, 2e quart du XVIe siècle (1525 - 1550)

    Titian

    Incoronazione di spine, 2e quart du XVIe siècle (1525 - 1550)

    Saint Jérôme pénitent, Titien, XVIe siècle (1500 - 1600)

    Titian

    Saint Jérôme pénitent, XVIe siècle (1500 - 1600)

    La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice, Titien, 1e quart du XVIe siècle (1500 - 1525)

    Titian

    La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice, 1e quart du XVIe siècle (1500 - 1525)