Thomas CoutureFrancia, 1815–1879L'Enrôlement des Volontaires de 1792 (Titre d'usage)
Si può vedere?
Non si sa
Dove si trova «L'Enrôlement des Volontaires de 1792 (Titre d'usage)» oggi? Collezione: Musée départemental de l'Oise, Beauvais. Non si sa.
Beauvais, Francia
Il proprietario è noto; non si sa se oggi sia esposta.
- Ultimo cambio di stato
- Fonte
- Il museo
Sul dipinto
Con le parole del museo — in francese
Peinture à l'huile, châssis fixé au mur. Couche picturale avec dessin préparatoire visible et grandes zones de réserves.
Musée départemental de l'Oise
Scheda
- Numero di inventario
- 77.448
Che cosa raffigura
In catalogo
Fonti
- Musée départemental de l'Oise
- Immagine: Musée départemental de l'Oise — © MUDO - Musée de l'Oise / Philip Bernard - Utilisation des photographies soumise à autorisation; Ministère de la Culture (France), base Joconde
Nella vita di Thomas Couture
Tutta la vitaafter 1847
Opens an independent atelier in Paris
Soon after this triumph, in the wake of which he called himself the only truly serious artist of his age, Couture opens an independent atelier on the streets of Laval and Pigalle in Paris. It is conceived as a rival to the École des Beaux-Arts: several dozen pupils study there, among them students from the USA and Germany, and Couture wants to train not geniuses but painters who know their craft, demanding individuality from them rather than imitation.
1847
The Salon of 1847: the triumph of “The Romans of the Decadence”
The picture meets with a resounding success and recognition: Théophile Gautier calls it the most remarkable work of the exhibition. Many find it symbolic that in the hall it takes the usual place of Veronese’s “The Wedding at Cana”, and some opinions favour the French canvas over the Italian classic.
1847–1848
A gold medal, and the state buys “The Romans”
“The Romans of the Decadence” is awarded a first-class gold medal, and the state buys the picture for 12,000 francs. From 1848 it is shown in the collection of the Luxembourg Museum, and later it is transferred to the collection of the Musée d’Orsay.
late 1840s – 1850s
Commissions for murals from the state and the Church
His innovative technique draws much attention, and from the late 1840s through the 1850s Couture receives government and church commissions for murals. He never completed the first two, and the third met with mixed criticism.
1848–1852
The commission for “The Enrolment of the Volunteers in 1792” is cancelled
The commission for the picture “The Enrolment of the Volunteers in 1792” (1848–1852), intended for the hall of the National Assembly and on which Couture pinned great hopes of recognition, is cancelled after Louis-Napoleon comes to power.
January 1850
Manet becomes his pupil
From January 1850 Couture teaches Édouard Manet for more than six years. In the end Manet broke with his teacher and with academism and became one of the founders of Impressionism.
