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  1. Collezione/
  2. Victoria and Albert Museum/
  3. Le Morte Darthur
Le Morte Darthur, Aubrey Beardsley, ca.1893-4
Aubrey Beardsley, ritrattoAubrey BeardsleyRegno Unito, 1872–1898

Le Morte Darthur

ca.1893-4 · Drawing · 8.7 × 5.9 cm

Scheda

ca.1893-4
18721898
Numero di inventario
D.120-1899

Nel frattempo, nella vita di Aubrey Beardsley

Tutta la vita
  1. 1891

    Decides to become an artist

    In 1891, on the advice of Edward Burne-Jones and Pierre Puvis de Chavannes, Beardsley resolved to make art his profession. Burne-Jones introduced him to Oscar Wilde and advised him to study medieval illumination.

  2. 1892

    Trip to Paris

    In 1892 Beardsley travelled to Paris, where he discovered the posters of Henri de Toulouse-Lautrec and the Parisian fashion for Japanese prints.

  3. 1892

    Westminster School of Art

    In 1892 Beardsley attended classes at the Westminster School of Art, then under Professor Fred Brown.

  4. 1894

    Art editor of The Yellow Book

    In 1894 Beardsley, together with the American writer Henry Harland, became art editor of The Yellow Book; for its first four issues he produced the covers and many illustrations.

  5. 1894–1896

    His health sharply declines

    Between 1894 and 1896, at the height of his success, his health sharply deteriorated. “I know my illness is incurable,” he wrote to Raffalovich, “but I am sure measures can be taken to slow its course.”

  6. April 1895

    Wilde's arrest costs him The Yellow Book

Altre opere di Aubrey Beardsley

Tutte le opere

Sotto lo stesso tetto: Victoria and Albert Museum

Pagina del museo

Sullo stesso tema · Mermaid

Tutte le opere sul tema

When Oscar Wilde was arrested in April 1895, a journalist mistakenly wrote that he had taken “the yellow book” to prison rather than simply a yellow-covered book. For Victorian England that was enough: Beardsley lost his place at the magazine and his livelihood.

Si può ammirare?

Al momento non riceve

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

Verificato
13 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

MermaidSeaStarsBird

In catalogo

Disegni e acquerelliPennaImpressionismoXIX secoloLondra

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London
Caricature of J.M. Whistler, Aubrey Beardsley

Caricature of J.M. Whistler

Non esposta · National Gallery of Art

Withered Spring, Aubrey Beardsley

Withered Spring

Non esposta · National Gallery of Art

Tannhäuser, Aubrey Beardsley

Tannhäuser

Non esposta · National Gallery of Art

Sitzende junge Frau vor einem Tisch mit einem Fötus unter einem Glassturz, Aubrey Beardsley

Sitzende junge Frau vor einem Tisch mit einem Fötus unter einem Glassturz

Albertina

In einen Umhang gehüllter alter Mann, den Erdball gießend, Aubrey Beardsley

In einen Umhang gehüllter alter Mann, den Erdball gießend

Albertina

Zwei bacchantische Hexen mit ihren Opfern, Aubrey Beardsley

Zwei bacchantische Hexen mit ihren Opfern

Albertina

CHILDREN'S BOOKS., Aubrey Beardsley, 1894

CHILDREN'S BOOKS.

1894 · Albertina

Caprice. Verso: Masked Woman with a White Mouse, Aubrey Beardsley, 1894

Caprice. Verso: Masked Woman with a White Mouse

1894 · National Gallery

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Capricorn, Max Ernst, model 1947, cast 1975

Max Ernst

Capricorn, model 1947, cast 1975

Non esposta · National Gallery of Art

The Mermaid, Frederick Stuart Church, 1881

Frederic Stuart Church

The Mermaid, 1881

Non esposta · National Gallery of Art

Mermaid, Roy Lichtenstein, 1978

James Rosenquist

Mermaid, 1978

Non esposta · National Gallery of Art

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, c. 1770

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., c. 1770

Non esposta · Victoria and Albert Museum

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, c. 1762

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., c. 1762

Non esposta · Victoria and Albert Museum

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, late 18th century

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., late 18th century

Non esposta · Victoria and Albert Museum

Drawing, W. R. Lethaby, late 19th-early 20th century

W. R. Lethaby

Drawing, late 19th-early 20th century

Non esposta · Victoria and Albert Museum

Design for a neoclassical pier-glass from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolios at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, late 18th century

John Linnell

Design for a neoclassical pier-glass from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolios at his Decease, by C. H. Tatham Architect. AD 1800., late 18th century

Non esposta · Victoria and Albert Museum