Le denier de Saint Pierre, Thomas Couture, 3e quart 19e siècle
Thomas Couture, ritrattoThomas CoutureFrancia, 1815–1879

Le denier de Saint Pierre

3e quart 19e siècle · Painting · 0.425 × 0.33 cm

Si può vedere?

Non si sa

Dove si trova «Le denier de Saint Pierre» oggi? Collezione: Musée d'art et d'archéologie de Senlis, Senlis. Non si sa.

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato
Fonte
Il museo

Scheda

Numero di inventario
A.2004.1.1

Che cosa raffigura

In catalogo

Fonti

Nella vita di Thomas Couture

Tutta la vita
  1. 1847–1848

    A gold medal, and the state buys “The Romans”

    “The Romans of the Decadence” is awarded a first-class gold medal, and the state buys the picture for 12,000 francs. From 1848 it is shown in the collection of the Luxembourg Museum, and later it is transferred to the collection of the Musée d’Orsay.

  2. January 1850

    Manet becomes his pupil

    From January 1850 Couture teaches Édouard Manet for more than six years. In the end Manet broke with his teacher and with academism and became one of the founders of Impressionism.

  3. 1855

    The 1855 World’s Fair: “The Falconer” misses the top award

    At the 1855 World’s Fair Couture shows the picture “The Falconer”, but it does not win the highest award, which he regards as a major setback. As a result he renounces the first-class medal awarded to him for this picture and for “The Romans of the Decadence”.

  4. 1860

    Leaves Paris for his native Senlis

    Upset by the unfavourable reception of his murals, Couture leaves Paris in 1860 and for a time returns to his hometown of Senlis, where he goes on teaching the young artists who come to him.

  5. 1863

    Forced to close his atelier

    In 1863 Couture is forced to close his atelier, among other reasons because a year earlier many of his pupils had gone over to Courbet.

  6. 1869

    Moves to Villiers-le-Bel

    In 1869 Couture moves to Villiers-le-Bel. According to the critic Albert Wolff, he lives there in a seclusion which, thanks to the complete indifference of his contemporaries, turns him into a man buried alive.

Tutte le opere

Dalla collezione: Musée d'art et d'archéologie de Senlis

Pagina del museo