Last Judgment, Hans Baldung Grien, 16th century
Hans Baldung Grien, ritrattoHans Baldung GrienGermania, 1484–1545

Last Judgment

16th century · Print

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Harvard Art Museums

Cambridge, Stati Uniti

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Numero di inventario
M3186

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  • Harvard Art Museums
  • Immagine: Harvard Art Museums — © President and Fellows of Harvard College

Nella vita di Hans Baldung Grien

Tutta la vita
  1. 1503–1507

    Assistant in Dürer’s workshop in Nuremberg

    During the “Wanderjahre” required of artists of the time, Baldung became an assistant to Albrecht Dürer and perfected his art with him until 1507; he quickly picked up the master’s style, and the two became friends. He seems to have run Dürer’s workshop during Dürer’s second stay in Venice, and near the end of his Nuremberg years oversaw the production of stained glass, woodcuts and engravings.

  2. 1509

    Returns to Strasbourg and becomes a citizen

    When his Nuremberg years came to an end, Baldung returned to Strasbourg and became a citizen; he became a celebrity of the town and received many important commissions. He was close to Sebastian Brant and Ulrich von Hutten.

  3. 1510

    His own workshop and the HGB monogram

    Baldung joined the guild “Zur Steltz”, opened a workshop and began signing his works with the monogram “HGB”, which he used for the rest of his life.

  4. 1510

    Marries Margarethe Herlin

    At twenty-six Baldung married Margarethe Herlin, a local merchant’s daughter; they had one child, a daughter, Margarethe.

  5. 1518

    At the Diet of Augsburg; a supporter of the Reformation

    Like Dürer and Cranach, Baldung supported the Protestant Reformation, and in 1518 he was present at the Diet of Augsburg. One of his woodcuts shows Martin Luther in quasi-saintly guise under the protection of the Holy Spirit as a dove; with the Reformation, which repudiated church art, his religious works became fewer.

  6. settembre 1545

    Died

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