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  1. Collezione/
  2. Museo di belle arti di Rennes/
  3. L'ARBRE JAUNE
L'ARBRE JAUNE, Émile Bernard, 1888 vers
Bernard, Emile, ritrattoBernard, EmileFrancia, 1868–1941

L'ARBRE JAUNE

1888 vers · Painting · 66 × 36 cm

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Non si sa

MDB
Museo di belle arti di Rennes

Rennes, Francia

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato
5 ott 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1888 vers · a 20 anni
18681941
Numero di inventario
INV 64.13.1

Nel frattempo, nella vita di Bernard, Emile

Tutta la vita
  1. 1884–1886

    Cormon's atelier, Anquetin and Toulouse-Lautrec

    After beginning at the École des Arts Décoratifs, Bernard joins Fernand Cormon's atelier, in 1884 by some accounts and in 1886 by others. There he experiments with Impressionism and Pointillism and befriends Louis Anquetin and Toulouse-Lautrec; he also meets van Gogh there.

  2. August 1886

    First meeting with Gauguin in Pont-Aven

    In August 1886 in Pont-Aven Bernard meets Gauguin for the first time; they exchange little about art but look forward to meeting again. Looking back, Bernard said his own talent was already fully developed, and he believed that his style played a considerable part in the development of Gauguin's mature style.

  3. 1887

    Cloisonnism, developed together with Anquetin

    In 1887 Bernard and Louis Anquetin develop cloisonnism — bold forms separated by dark contours; in the spring they “turn against Neo-Impressionism”. Many, however, credit Anquetin with the technique, and Bernard was probably also influenced by the works of Cézanne he had seen.

  4. 1887–1888

    An exhibition in the restaurant on the Avenue de Clichy

    Back in Paris, Bernard attends the Académie Julian and meets van Gogh, who is impressed by his work. He finds a restaurant on the Avenue de Clichy where his work is shown alongside that of van Gogh, Anquetin and Toulouse-Lautrec; van Gogh calls the group the “School of the Petit Boulevard”.

  5. 1888

Altre opere di Bernard, Emile

Tutte le opere

Dalla collezione: Museo di belle arti di Rennes

Pagina del museo

Sullo stesso tema · Paysage (feuillu)

Tutte le opere sul tema

On foot to Pont-Aven: friendship with Gauguin

A year later Bernard again sets out for Pont-Aven on foot and sees Gauguin; their friendship and artistic partnership quickly grow strong. Bernard wants an art of the most extreme simplicity, accessible to all and practised collectively, and Gauguin is impressed by his ability to put his ideas into words. Other accounts have him living in Pont-Aven in 1886–1888 and joining the Pont-Aven group.

  • 1890

    A religious crisis and a turn to the Middle Ages

    In 1890 Bernard goes through a religious crisis and turns to the subjects and themes of medieval art. In the same year he sets out to revive symbolism, which he saw as Christian in essence — the invisible expressed through the visible.

  • Che cosa raffigura

    Paysage (feuillu)

    In catalogo

    DipintiOlioPittura franceseImpressionismoXIX secoloFranciaPont-Aven

    Fonti

    • Museo di belle arti di Rennes
    • Immagine: Museo di belle arti di Rennes — © Jean-Manuel salingue; Ministère de la Culture (France), base Joconde
    Still Life (Cup, Compote Dish, Teapot, and Fruit) 1890, Émile Bernard

    Still Life (Cup, Compote Dish, Teapot, and Fruit) 1890

    Van Gogh Museum

    Le Repos du berger, Émile Bernard, 1900s

    Le Repos du berger

    1900s · Museo d'Orsay

    Les remparts, Emile Bernard, 4e quart 19e siècle, 1ère moitié 20e siècle

    Les remparts

    4e quart 19e siècle, 1ère moitié 20e siècle · musée des Beaux-Arts de Brest

    Maisons flamandes, Emile Bernard, 4e quart 19e siècle, 1ère moitié 20e siècle

    Maisons flamandes

    4e quart 19e siècle, 1ère moitié 20e siècle · musée des Beaux-Arts de Brest

    Personnages sur fond d'église, Emile Bernard, 4e quart 19e siècle, 1ère moitié 20e siècle

    Personnages sur fond d'église

    4e quart 19e siècle, 1ère moitié 20e siècle · musée des Beaux-Arts de Brest

    Breton Woman (Les Bretonnes), Émile Bernard, (1883)

    Breton Woman (Les Bretonnes)

    (1883) · Non esposta · Museum of Modern Art

    Fisherman and Boat, Émile Bernard, 1885

    Fisherman and Boat

    1885 · Van Gogh Museum

    Bretonne walking near a canal, Émile Bernard, 1886

    Bretonne walking near a canal

    1886 · Van Gogh Museum

    Ennius écoutant Homère, Raphaël, 18e siècle

    Raphael

    Ennius écoutant Homère, 18e siècle

    Platon et Aristote, Raphaël, 16e siècle

    Raphael

    Platon et Aristote, 16e siècle

    Etude d'un visage de jeune homme, Raphaël, 2e moitié 17e siècle, 1er quart 18e siècle

    Raphael

    Etude d'un visage de jeune homme, 2e moitié 17e siècle, 1er quart 18e siècle

    Etude de deux hommes, Raphaël, 1er quart 18e siècle

    Raphael

    Etude de deux hommes, 1er quart 18e siècle

    Deux Bacchantes et un faune dansant, André Lebrun, 2e moitié 17e siècle, 1er quart 18e siècle

    Raphael

    Deux Bacchantes et un faune dansant, 2e moitié 17e siècle, 1er quart 18e siècle

    Heraclite, Raphaël, 1er quart 18e siècle

    Raphael

    Heraclite, 1er quart 18e siècle

    La Vierge, l'Enfant Jésus et Saint Jean, Jan de Bisschop, 2e quart 17e siècle, 3e quart 17e siècle

    Raphael

    La Vierge, l'Enfant Jésus et Saint Jean, 2e quart 17e siècle, 3e quart 17e siècle

    Héliodore à terre, Raphaël, 18e siècle

    Raphael

    Héliodore à terre, 18e siècle

    Paysage. Fresque d'appartement dit Etude de paysage pour le décor de la salle à manger d'Alexandre Nathanson, Édouard Vuillard, 1940 avant

    Edouard Vuillard

    Paysage. Fresque d'appartement dit Etude de paysage pour le décor de la salle à manger d'Alexandre Nathanson, 1940 avant

    Musée des beaux-arts de Rouen

    Paysage. Fresque d'appartement dit Etude de paysage pour le décor de la salle à manger d'Alexandre Nathanson (numéro d'inventaire de l'autre élément : 975.4.5542), Édouard Vuillard, 1940 avant

    Edouard Vuillard

    Paysage. Fresque d'appartement dit Etude de paysage pour le décor de la salle à manger d'Alexandre Nathanson (numéro d'inventaire de l'autre élément : 975.4.5542), 1940 avant

    Musée des beaux-arts de Rouen

    LES BREJOTS, Armand Guillaumin, 1927 avant

    Armand Guillaumin

    LES BREJOTS, 1927 avant

    Musée d’Art moderne de Troyes

    Paysage d'Alsace, Jean-Jacques Henner, 2e moitié 19e siècle

    Jean Jacques Henner

    Paysage d'Alsace, 2e moitié 19e siècle

    Museo nazionale Jean-Jacques Henner

    Paysage, Jean-Jacques Henner, 1900

    Jean Jacques Henner

    Paysage, 1900

    Museo nazionale Jean-Jacques Henner

    Les Terreaux, Théodore Rousseau, 1831,1834

    Théodore Rousseau

    Les Terreaux, 1831,1834

    Museo delle belle arti di Digione

    Paysage, Armand Charnay, 2e moitié 19e siècle, 1er quart 20e siècle

    Armand Charnay

    Paysage, 2e moitié 19e siècle, 1er quart 20e siècle

    Musée hospitalier

    GROUPE D'ARBRES, Auguste Rodin, 2e moitié 19e siècle, 1er quart 20e siècle

    Auguste Rodin

    GROUPE D'ARBRES, 2e moitié 19e siècle, 1er quart 20e siècle

    Museo Rodin