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  1. Collezione/
  2. National Gallery of Art/
  3. Landslide (Bergsturz)
Landslide (Bergsturz), Max Klinger, 1881
Max Klinger, ritrattoMax KlingerGermania, 1857–1920

Landslide (Bergsturz)

1881 · Print

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1881 · a 24 anni
18571920
Numero di inventario
2015.19.1549

In catalogo

StampeAcquaforteImpressionismoXIX secoloSimbolismo

Fonti

  • National Gallery of Art
  • Immagine: National Gallery of Art — Museum open access

Nel frattempo, nella vita di Max Klinger

Tutta la vita
  1. aprile 1879

    Teacher: Emile Wauters

  2. 1879–1880

    Trips to Brussels and Munich

    In 1879 he spends some time in Brussels and the following year in Munich.

  3. aprile 1879 – 1880 · Residenza

    Brussels

  4. 1881 · Residenza

    Berlin

  5. 1881

    His own studio and a friendship with Stauffer-Bern

    He moves to Berlin, where he has his own studio; here begins his short friendship with the Swiss painter, etcher and sculptor Karl Stauffer-Bern.

  6. summer 1883

    Move to Paris

    He moves to Paris, where the poet and critic Jules Laforgue is already championing his prints; he lives there until 1886 or 1887, studies Goya and Daumier at the Louvre and begins sculpting about 1883.

Altre opere di Max Klinger

Tutte le opere
Evocation (Evocation), Max Klinger

Evocation (Evocation)

Non esposta · National Gallery of Art

Ex libris van Max Klinger, Max Klinger, 1867 - 1920

Ex libris van Max Klinger

1867 - 1920 · Rijksmuseum

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto), Max Klinger

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto)

Kupferstich-Kabinett

Umrahmungen zu "Amor und Psyche", Blatt 2, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 2

Kupferstich-Kabinett

Umrahmung zu "Amor und Psyche", Blatt 23, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 23

Kupferstich-Kabinett

Umrahmungen zu "Amor und Psyche", Blatt 4, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 4

Kupferstich-Kabinett

Umrahmung zu "Amor und Psyche", Blatt 21, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 21

Kupferstich-Kabinett

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5, Max Klinger

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5

Kupferstich-Kabinett

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888