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  1. Collezione/
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  3. L'Amour endormi
L'Amour endormi, Sirani, Elisabetta, XVIIe siècle (1600 - 1700)
Elisabetta Sirani, ritrattoElisabetta SiraniItalia, 1638–1665

L'Amour endormi

XVIIe siècle (1600 - 1700) · Peintures

Si può ammirare?

Non si sa

Museo del Louvre

Parigi, Francia

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato
26 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

Numero di inventario
INV 671

In catalogo

DipintiPittura italianaBaroccoXVII secolo

Fonti

  • Museo del Louvre
  • Immagine: Museo del Louvre — © 2015 GrandPalaisRmn (musée du Louvre) / Tony Querrec

Nel frattempo, nella vita di Elisabetta Sirani

Tutta la vita
  1. 8 gennaio 1638

    Born

  2. by 1654

    Takes over the family workshop

    By 1654 her father is incapacitated by gout and can no longer work, and Elisabetta takes over the running of the workshop: she becomes the family’s main breadwinner, living on teaching fees and portrait commissions. The studio thrives, helped by the progressive atmosphere of Bologna, where women artists were accepted and celebrated; her sisters Barbara and Anna Maria serve as her assistants.

  3. 28 February 1657

    First major public commission

    At nineteen she receives her first major public commission, from Daniele Granchi, prior of the Carthusian church of the Certosa di Bologna; she will go on to paint at least thirteen public altarpieces.

  4. 1660

    Opens a painting school for women

    She opens a school — the first school of painting for women in Europe outside a convent, open regardless of the women’s artistic and social connections; besides her younger sisters Barbara and Anna Maria she trains at least twelve young women, among them the wood-engraver Veronica Fontana, Caterina Pepoli, Maria Elena Panzacchi, Camelia Lanteri, Lucretia Forni, Veronica Franchi and Ginevra Cantofoli, who was portrayed as Sirani’s rival.

  5. August 1665

    Sudden illness and suspicions of poisoning

    She falls suddenly ill; only days earlier the maidservant Lucia Tolomelli had asked to leave the family’s service, and suspicion of poisoning fell on her, though the charges were soon withdrawn. The likely cause is peritonitis after a ruptured ulcer, perhaps brought on by the strain of providing for the whole household.

  6. 28 agosto 1665

    Died

Altre opere di Elisabetta Sirani

Tutte le opere
The Holy Family with St. Elizabeth and the Infant St. John the Baptist, Elisabetta Sirani, 1655–65

The Holy Family with St. Elizabeth and the Infant St. John the Baptist

1655–65 · Minneapolis Institute of Art

Amur The Winner, Elisabetta Sirani, mid-17th century

Amur The Winner

mid-17th century · Non esposta · Ermitage

Heiliger Eustachius, Elisabetta Sirani

Heiliger Eustachius

Albertina

Ruhe auf der Flucht nach Ägypten, Elisabetta Sirani

Ruhe auf der Flucht nach Ägypten

Kupferstich-Kabinett

Omphale, Elisabetta Sirani

Omphale

Gemäldegalerie Alte Meister

Die heilige Familie. Das Kind steht hinter der sitzenden Maria, die ihm den Kopf zuwendet; Joseph sitzt an einem Tisch, die Rechte auf einem offenen Buch ruhend, Elisabetta Sirani

Die heilige Familie. Das Kind steht hinter der sitzenden Maria, die ihm den Kopf zuwendet; Joseph sitzt an einem Tisch, die Rechte auf einem offenen Buch ruhend

Albertina

Ruhe auf der Flucht nach Ägypten, Elisabetta Sirani

Ruhe auf der Flucht nach Ägypten

Kupferstich-Kabinett

Die Heilige Familie mit Elisabeth und dem Johannesknaben, Elisabetta Sirani

Die Heilige Familie mit Elisabeth und dem Johannesknaben

Kupferstich-Kabinett

Sotto lo stesso tetto: Museo del Louvre

Pagina del museo
Portrait de Lisa Gherardini, épouse de Francesco del Giocondo, dit La Joconde ou Monna Lisa, Léonard de Vinci, 1e quart du XVIe siècle (1503 - 1519)

Leonardo da Vinci

La Gioconda, 1e quart du XVIe siècle (1503 - 1519)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1517 - 1520)

Leonardo da Vinci

Bacco, 1e quart du XVIe siècle (vers 1517 - 1520)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1508 - 1519)

Leonardo da Vinci

San Giovanni Battista, 1e quart du XVIe siècle (vers 1508 - 1519)

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, Léonard de Vinci, XVIe siècle (vers 1505 - 1520)

Leonardo da Vinci

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, XVIe siècle (vers 1505 - 1520)

La Vierge, l'Enfant Jésus et sainte Anne, dit La Sainte Anne, Léonard de Vinci, 1e quart du XVIe siècle (vers 1503 - 1519)

Leonardo da Vinci

Sant'Anna, la Vergine e il Bambino con l'agnellino, 1e quart du XVIe siècle (vers 1503 - 1519)

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, Léonard de Vinci, 4e quart du XVe siècle (vers 1483 - 1494)

Leonardo da Vinci

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, 4e quart du XVe siècle (vers 1483 - 1494)

Esclave rebelle, Buonarroti, Michelangelo dit Michel-Ange, 1513 - 1515

Michelangelo

Schiavo ribelle, 1513 - 1515

Esclave mourant, Buonarroti, Michelangelo dit Michel-Ange, 1513 - 1515

Michelangelo

Schiavo morente, 1513 - 1515