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  1. Collezione/
  2. Museo del Louvre/
  3. La Nourriture de Bacchus
La Nourriture de Bacchus, Poussin, Nicolas, 2e quart du XVIIe siècle (vers 1626)
Nicolas Poussin, ritrattoNicolas PoussinFrancia, 1594–1665

La Nourriture de Bacchus

2e quart du XVIIe siècle (vers 1626) · Peintures

Scheda

2e quart du XVIIe siècle (vers 1626) · a 32 anni
15941665
Numero di inventario
INV 7295

Nel frattempo, nella vita di Nicolas Poussin

Tutta la vita
  1. 1620s

    The Cavaliere Marino takes the painter under his wing

    Poussin’s work caught the attention of the Italian poet Cavaliere Marino, then living in France; his patronage let the thirty-year-old painter work in peace. According to Bellori the poet took him into his house and helped him with the invention of subjects and the rendering of emotion, and in Marino’s house Poussin gained access to a library with treatises by Alberti and Dürer and manuscripts and drawings by Leonardo.

  2. spring 1624

    Spring 1624: Poussin arrives in Rome

    According to Bellori Poussin settled in Rome in the spring of 1624 (other accounts say he first visited Venice); the lists of the church of San Lorenzo in Lucina name him from March 1624 among twenty-two people, mostly French artists, living in the house of Simon Vouet. He studied Raphael, while Caravaggio, whose literal materiality repelled him, he held to have come “to destroy painting”.

  3. 1624–1626

    First years in Rome: no patrons, in want

    Marino, who had recommended him to Cardinal Francesco Barberini, left for Naples and died there, and the cardinal himself was sent as legate to Spain in 1625 with Cassiano dal Pozzo; the Marquis Sacchetti showed no interest. Poussin was badly wounded in a street brawl, possibly caught syphilis and refused to enter a hospital, and, according to Félibien, had to sell two battle canvases for seven écus each and a figure of a prophet for eight.

  4. 1624–1640

    Domenichino’s academy, anatomy, measuring ancient statues

    He resumed his study of anatomy with the surgeon Larchet, drew models at Domenichino’s academy, worked in the open air and measured ancient statues — on the back of the drawing “The Victory of Joshua” survive his measurements of the Apollo Belvedere; unlike many, he did not “restore” the lost fragments of antiques. In his Roman years he began to learn modelling, made wax models, arranged them in the order he wanted on a board, and copied Titian’s “Bacchanal” — in oil and as a bas-relief together with one of the Duquesnoy brothers.

Altre opere di Nicolas Poussin

Tutte le opere

Nella stessa sala · Salle 826, Aile Richelieu, Niveau 2, Museo del Louvre

Pagina del museo
  • 1626

    Friends in Rome: Claude Lorrain, Stella, the Duquesnoy brothers

    In 1626 Pierre Mellin and the brothers François and Jérôme Duquesnoy lodged in his studio; he was close to Claude Lorrain and kept company with Jacques Stella and Jean Lemaire. The circle was united by a pull towards classical antiquity; despite all his disagreements with French painters, it was this milieu that helped Poussin keep his national roots.

  • 1626

    Poussin’s name first appears in Cardinal Barberini’s books

    In 1626 Cardinal Francesco Barberini’s account books for the first time record a fee paid to Poussin — for the painting “The Destruction of Jerusalem”; it has not survived, but in 1638 the artist repeated the canvas, now in Vienna.

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    Museo del Louvre

    Parigi, Francia

    Sala826, Aile Richelieu, Niveau 2

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    Verificato
    13 giorni fa
    Ultimo cambio di stato
    26 set 2026
    Fonte
    Il museo
    Sulla mappaPagina del museo

    In catalogo

    DipintiOlioPittura franceseBaroccoXVII secolo

    Fonti

    • Museo del Louvre
    • Immagine: Museo del Louvre — © 2021 GrandPalaisRmn (musée du Louvre) / Franck Raux
    The Abduction of the Sabine Women, Nicolas Poussin, probably 1633–34

    The Abduction of the Sabine Women

    probably 1633–34 · Metropolitan Museum of Art

    Blind Orion Searching for the Rising Sun, Nicolas Poussin, 1658

    Blind Orion Searching for the Rising Sun

    1658 · Metropolitan Museum of Art

    La Sainte Famille avec saint Jean, sainte Elisabeth et saint Joseph priant, Poussin, Nicolas, Milieu du XVIIe siècle (vers 1650 - 1951)

    La Sainte Famille avec saint Jean, sainte Elisabeth et saint Joseph priant

    Milieu du XVIIe siècle (vers 1650 - 1951) · Museo del Louvre

    Victory of Joshua over the Amalekites, Nicolas Poussin, 1623

    Victory of Joshua over the Amalekites

    1623 · Ermitage

    Mars et Vénus, Poussin, Nicolas, 1e tiers du XVIIe siècle (vers 1625)

    Mars et Vénus

    1e tiers du XVIIe siècle (vers 1625) · Museo del Louvre

    Bacchanale à la joueuse de guitare, Poussin, Nicolas, 2e quart du XVIIe siècle (vers 1625)

    Bacchanale à la joueuse de guitare

    2e quart du XVIIe siècle (vers 1625) · Museo del Louvre

    The Agony in the Garden, Nicolas Poussin, 1626–27

    The Agony in the Garden

    1626–27 · Metropolitan Museum of Art

    Le Triomphe de Flore, Poussin, Nicolas, 2e quart du XVIIe siècle (vers 1627 - 1628)

    Le Triomphe de Flore

    2e quart du XVIIe siècle (vers 1627 - 1628) · Museo del Louvre

    La Vision de sainte Françoise Romaine, Poussin, Nicolas, XVIIe siècle (1657 - 1658)

    Nicolas Poussin

    La Vision de sainte Françoise Romaine, XVIIe siècle (1657 - 1658)

    Le Christ et la femme adultère, Poussin, Nicolas, 3e quart du XVIIe siècle (1653)

    Nicolas Poussin

    Le Christ et la femme adultère, 3e quart du XVIIe siècle (1653)

    La mort de Saphire, Poussin, Nicolas, Milieu du XVIIe siècle (vers 1653)

    Nicolas Poussin

    La mort de Saphire, Milieu du XVIIe siècle (vers 1653)

    La Sainte Famille avec saint Jean et sainte Élisabeth dans un paysage, Poussin, Nicolas, Milieu du XVIIe siècle (vers 1650 - 1651)

    Nicolas Poussin

    La Sainte Famille avec saint Jean et sainte Élisabeth dans un paysage, Milieu du XVIIe siècle (vers 1650 - 1651)

    Les Aveugles de Jéricho, Poussin, Nicolas, Milieu du XVIIe siècle (1650)

    Nicolas Poussin

    Les Aveugles de Jéricho, Milieu du XVIIe siècle (1650)

    Le Ravissement de saint Paul, Poussin, Nicolas, Milieu du XVIIe siècle (1649 - 1650)

    Nicolas Poussin

    Le Ravissement de saint Paul, Milieu du XVIIe siècle (1649 - 1650)

    Le Jugement de Salomon, Poussin, Nicolas, 2e quart du XVIIe siècle (1649)

    Nicolas Poussin

    Le Jugement de Salomon, 2e quart du XVIIe siècle (1649)

    Eliézer et Rébecca, Poussin, Nicolas, 2e quart du XVIIe siècle (1648)

    Nicolas Poussin

    Eliézer et Rébecca, 2e quart du XVIIe siècle (1648)