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  3. Katwyk
Katwyk, Alfred Stieglitz, 1894, printed 1895/1896

Katwyk

1894, printed 1895/1896 · Photograph

Scheda

1894, printed 1895/1896
18641946
Numero di inventario
1949.3.197

Nel frattempo, nella vita di Alfred Stieglitz

Tutta la vita
  1. spring 1893

    Co-editor of The American Amateur Photographer

    In the spring of 1893 Stieglitz became co-editor of The American Amateur Photographer but refused a salary: his Photochrome company was now printing the magazine's photogravures, and he wanted to avoid any appearance of bias.

  2. c. 16.11.1893

    Married: Emmeline Stieglitz

  3. May 1896

    Vice-president of the new Camera Club

    In May 1896 two organisations merged to form the Camera Club of New York; offered the presidency, Stieglitz became vice-president instead and was involved in every aspect of the club. Late that year he hand-pulled the photogravures for the first portfolio of his own work, Picturesque Bits of New York and Other Studies.

  4. July 1897

    First issue of Camera Notes

    Stieglitz turned the Camera Club's newsletter into a magazine, Camera Notes, with full control over it; the first issue appeared in July 1897, and it was soon considered the finest photographic magazine in the world. The critic Sadakichi Hartmann wrote that artistic photography, the Camera Club and Alfred Stieglitz seemed to him three names for one and the same thing.

  5. 27 settembre 1898

    Daughter born: Katherine Stieglitz

Altre opere di Alfred Stieglitz

Tutte le opere

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo

Sullo stesso tema · Rural

Tutte le opere sul tema
Alfred Stieglitz, ritrattoAlfred StieglitzStati Uniti, 1864–1946

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

RuralTravelPaesi BassiArchitetturaEdificioKatwykDonna

In catalogo

FotografiePlatinotipiaImpressionismoXIX secoloAmerican

Fonti

  • National Gallery of Art
  • Immagine: National Gallery of Art — © the artist or rights holder
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · Museum of Modern Art

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · Museum of Modern Art

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · Museum of Modern Art

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Art Institute of Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · Non esposta · National Gallery of Art

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · Non esposta · National Gallery of Art

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · Non esposta · National Gallery of Art

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · Non esposta · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

The Driveway, Camille Pissarro, 1895

Camille Jacob Pissarro

The Driveway, 1895

Non esposta · National Gallery of Art

Arkansas mother come to California for a new start, with husband and eleven children. Now a rural rehabilitation client. Tulare County, California, Dorothea Lange, November 1938, printed 1965

Dorothea Lange

Arkansas mother come to California for a new start, with husband and eleven children. Now a rural rehabilitation client. Tulare County, California, November 1938, printed 1965

Non esposta · National Gallery of Art

Nettie Featherston, wife of a migratory laborer with three children, near Childress, Texas, Dorothea Lange, June 1938, printed c. 1950s

Dorothea Lange

Nettie Featherston, wife of a migratory laborer with three children, near Childress, Texas, June 1938, printed c. 1950s

Non esposta · National Gallery of Art

Formerly enslaved woman, Alabama, Dorothea Lange, 1938, printed c. 1960s

Dorothea Lange

Formerly enslaved woman, Alabama, 1938, printed c. 1960s

Non esposta · National Gallery of Art

Post office and postmistress, Widtsoe, Utah, Dorothea Lange, April 1936

Dorothea Lange

Post office and postmistress, Widtsoe, Utah, April 1936

Non esposta · National Gallery of Art

Young migratory mother, originally from Texas. On the day before the photograph was made, she and her husband traveled 35 miles each way to pick peas. They worked 5 hours each and together earned $2.25. They have two young children...Live in auto camp, Edison, Kern County, California, Dorothea Lange, April 11, 1940, printed c. 1950s

Dorothea Lange

Young migratory mother, originally from Texas. On the day before the photograph was made, she and her husband traveled 35 miles each way to pick peas. They worked 5 hours each and together earned $2.25. They have two young children...Live in auto camp, Edison, Kern County, California, April 11, 1940, printed c. 1950s

Non esposta · National Gallery of Art

Fords are beginning to appear among the tobacco sharecroppers. Douglas, Georgia, Dorothea Lange, July 1938, printed 1960s

Dorothea Lange

Fords are beginning to appear among the tobacco sharecroppers. Douglas, Georgia, July 1938, printed 1960s

Non esposta · National Gallery of Art

Flood refugee family near Memphis, Texas, are bound for the lower Rio Grande Valley, where they hope to pick cotton. They are from Arkansas, Dorothea Lange, May 1937

Dorothea Lange

Flood refugee family near Memphis, Texas, are bound for the lower Rio Grande Valley, where they hope to pick cotton. They are from Arkansas, May 1937

Non esposta · National Gallery of Art