Jusepe de RiberaSpagna, 1591–1652Jésus parmi les docteurs
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Langres, Francia
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- Ultimo cambio di stato
- Fonte
- Il museo
Sul dipinto
Con le parole del museo — in francese
portrait de groupe composé de vieillards assis, écoutant un enfant (Jésus) parler au centre ; personnages représentés grandeur nature dans diverses positions : deux pointent du doigt un document, un homme (Origène) torse nu porte un livre sur les genoux, un homme de dos sur la droite maintient un lourd drapé, d'autres parlent au second plan ; teintes chaudes (brun et rouge) ;présence de bleu donnant du rythme à la composition ; travail des raccourcis et des torsions (dos, extrémités) ; coup de lumière sur le visage du jeune garçon, vêtu de drapés rouge et bleu, main droite en avant
Musée d'art et d'histoire de Langres
Scheda
- Numero di inventario
- 2012.0.1
In catalogo
Fonti
- Musée d'art et d'histoire de Langres
- Immagine: Musée d'art et d'histoire de Langres — © Sylvain Riandet; Ministère de la Culture (France), base Joconde
Nella vita di Jusepe de Ribera
Tutta la vitanot after 1613 (possibly from 1606)
Sets out for Italy to study the old masters
Probably no later than 1613, perhaps as early as 1606, Ribera leaves for Italy to study the paintings of the old masters: first north to Cremona, Milan and Parma, then to Rome, where he gets to know the work of Guido Reni and Ludovico Carracci. Other accounts allow that he may have been there as early as 1605–09; he never returns to Spain.
1609–1616 · Luogo di lavoro
Parma
1613
Recorded in Rome's Accademia di San Luca
In October 1613 documents confirm that Ribera is in Rome and a member of the Accademia di San Luca; other accounts put his election to the Academy in 1626.
1613–1616
Rome: fame, earnings and debts
According to Giulio Mancini, Ribera begins by working for daily wages in other artists' workshops, then wins a strong reputation and large profits; Guido Reni is among the admirers of his work, and a painter of his kind had not been seen in Rome for years. But he is lazy at times, spends extravagantly and falls into debt.
not after 1614
A missed Easter confession
According to Mancini, Ribera had trouble with the Roman authorities when he neglected his Easter confession one year, likely in 1614 or earlier.
1615–1616
Via Margutta: the foreigners' quarter
Parish registers confirm that at Easter in 1615 and 1616 Ribera lives on the Via Margutta, then known as the foreigners' quarter, with his brothers Jerónimo and Juan; he apparently leads a bohemian life among other artists.
