In the Kitchen Garden, Carl Larsson, 1883
Carl Olof Larsson, ritrattoCarl Olof LarssonSvezia, 1853–1919

In the Kitchen Garden

1883 · Painting

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Dove si trova «In the Kitchen Garden» oggi? Collezione: Museo nazionale di Stoccolma, Stoccolma. Non esposta al momento. Verificato 9 ottobre 2026.

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The vegetable patch is bathed in sunlight. Carl Larsson’s portrayal of light is so realistic that we almost share the girl’s experience of being blinded by it. There is not much shade in this picture. That is because the sun is high in the sky, but the artist has probably also chosen to leave it out to maximize the effect of strong sunlight. The painting was made in the international artist colony in Grez-sur-Loing south of Paris, where Larsson developed his watercolour technique in 1883–1884, in lighting conditions that were different from Sweden.

Museo nazionale di Stoccolma

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    Museo nazionale di Stoccolma · 9 ott 2026 — oggi · Verificato

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    Museo nazionale di Stoccolma · 27 set 2026 — 9 ott 2026 · Non confermato

Fonti

Nella vita di Carl Olof Larsson

Tutta la vita
  1. 1882

    From Barbizon to the Scandinavian colony at Grez-sur-Loing

    After two summers in Barbizon, the refuge of the plein-air painters, in 1882 he settled for a time with his Swedish colleagues at Grez-sur-Loing, a Scandinavian artists’ colony outside Paris.

  2. 1882–1883

    Meets Karin Bergöö, a turning point in his life

    At Grez he met the artist Karin Bergöö, who would soon become his wife. The meeting was a turning point in his life.

  3. 1883

    Marries Karin Bergöö

    In 1883 he married Karin Bergöö; she also worked as an interior designer, and many of the interiors he depicted were her work.

  4. 12 giugno 1883

    Married: Karin Larsson

  5. 1884

    Daughter born: Suzanne Larsson

  6. 1884–1900

    Eight children, the artist’s favourite models

    Carl and Karin had eight children: Suzanne (b. 1884), Ulf (1887), Pontus (1888), Lisbeth (1891), Brita (1893), Mats (1894), Kersti (1896) and Esbjörn (1900). Ulf died at eighteen and Mats at the age of two months, and the life of the family became Larsson’s chief subject.

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