Medardo RossoItalia, 1859–1928Impression in an Omnibus
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Dove si trova «Impression in an Omnibus» oggi? Collezione: Minneapolis Institute of Art, Minneapolis. Non esposta al momento. Verificato 29 settembre 2026.
Minneapolis, Stati Uniti
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- Il museo
Sulla scultura
Like his counterparts who were changing the face of late 19th century painting through their experimentation with Impressionism, Medardo Rosso brought a new language to sculpture. His preference was always for soft forms, made out of material that seems perpetually on the verge of dissolution. His most innovative sculptures were made out of wax - reminiscent for Minnesotans of the famous butter sculptures at the State Fair.
In fact, Rosso's sculptures often have an unstable and faintly organic quality. Looking like ghostly apparitions in the process of decay, they have sometimes been referred to as memory sculptures. Illusive, fragile, and seemingly fleeting, their sense of vulnerability evokes a particularly morbid curiosity.
Minneapolis Institute of Art
Scheda
- Numero di inventario
- 70.16
In catalogo
Fonti
- Minneapolis Institute of Art
- Immagine: Minneapolis Institute of Art — public domain
Nella vita di Medardo Rosso
Tutta la vita1884–1886 · Luogo di lavoro
Paris
1886–1889 · Luogo di lavoro
Milan
1887 · Luogo di lavoro
Venice
1888 · Luogo di lavoro
London
1889–1901 · Luogo di lavoro
Paris
