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Ideal Christ, Hiram Powers, modeled 1864
Hiram Powers, ritrattoHiram PowersStati Uniti, 1805–1873

Ideal Christ

modeled 1864 · Sculpture · 42.4 × 33.3 cm

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Smithsonian American Art Museum

Washington, Stati Uniti

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Ultimo cambio di stato
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

Numero di inventario
1968.155.116

Che cosa raffigura

ReligionNew Testament BibleCristo

In catalogo

SculturaGessoRealismoImpressionismoXIX secolo

Fonti

Altre opere di Hiram Powers

Tutte le opere
Andrew Jackson, Hiram Powers, 1834–35; carved 1839

Andrew Jackson

1834–35; carved 1839 · Metropolitan Museum of Art

George Washington, Hiram Powers, 1838–44, carved after 1844

George Washington

1838–44, carved after 1844 · Metropolitan Museum of Art

The Greek Slave, Hiram Powers, model 1841-1843, carved 1846

The Greek Slave

model 1841-1843, carved 1846 · National Gallery of Art

Fisher Boy, Hiram Powers, 1841–44; carved 1857

Fisher Boy

1841–44; carved 1857 · Metropolitan Museum of Art

Proserpine, Hiram Powers, model 1844, carved 1846 or later

Proserpine

model 1844, carved 1846 or later · National Gallery of Art

Bust of "The Greek Slave", Hiram Powers, 1848

Bust of "The Greek Slave"

1848 · National Gallery of Art

America, Hiram Powers, model 1850-1854, carved after 1854

America

model 1850-1854, carved after 1854 · National Gallery of Art

California, Hiram Powers, 1850–55, carved 1858

California

1850–55, carved 1858 · Metropolitan Museum of Art

Anche in sala: Smithsonian American Art Museum

Pagina del museo
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Sullo stesso tema · Religion

Tutte le opere sul tema
Madonna della seggiola, Charles B. J. Févret de Saint-Mémin, after Raphael, c. 1795

Raphael

Madonna della seggiola, c. 1795

Non esposta · National Gallery of Art

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., 1995

Non esposta · National Gallery of Art

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., Allen Ginsberg, 1993, printed 1995

Allen Ginsberg

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., 1993, printed 1995

Non esposta · National Gallery of Art

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., Allen Ginsberg, 1987

Allen Ginsberg

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., 1987

Non esposta · National Gallery of Art

Buried with Him by Baptism, Paul Revere, c. 1765

Paul Revere

Buried with Him by Baptism, c. 1765

Non esposta · National Gallery of Art

White Crucifixion, Marc Chagall, 1938

Marc Chagall

Crocifissione bianca, 1938

Non esposta · Art Institute of Chicago

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", 1903-1916

Non esposta · National Gallery of Art

Study of Adam for the "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of Adam for the "Fifteen Mysteries of the Rosary", 1903-1916

Non esposta · National Gallery of Art