Kitagawa UtamaroGiappone, 1754–1806Haren wassen
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Rijksmuseum
Scheda
- Numero di inventario
- RP-P-1956-599
Che cosa raffigura
In catalogo
Fonti
- Rijksmuseum
- Immagine: Rijksmuseum — public domain
Nella vita di Kitagawa Utamaro
Tutta la vita1790–1801
Tightening censorship: seals on prints
From 1790 prints can be sold only with a censor's seal of approval; over the following decades censorship grows stricter, and violators can receive harsh punishments. From 1799 even preliminary drafts need approval, and in 1801 the works of a group of Utagawa-school offenders, including Toyokuni, are repressed.
1804
Arrest and fifty days in manacles
In 1804 Utamaro is imprisoned over prints of the sixteenth-century ruler Toyotomi Hideyoshi, depicted, in the authorities' view, “in an improper form”, and then manacled for fifty days, together with Tsukimaro, Toyokuni, Shuntei, Shun'ei and Jippensha Ikku; their publishers are heavily fined. It is probably the most famous case of censorship of the Edo period, and Utamaro appears to have been the most prominent of those punished.
1804
The prints of Hideyoshi that angered the authorities
The trigger was a wave of prints and books based on the “Ehon Taikōki”, an illustrated life of Hideyoshi (1797–1802): the authorities may have taken offence at historical figures being named and shown with their crests, which was prohibited, and at Hideyoshi being depicted with women of the pleasure quarters. Utamaro's censored prints include the daimyō Katō Kiyomasa lustily gazing at a Korean dancer, Hideyoshi holding the hand of his page Ishida Mitsunari in a sexually suggestive manner, and Hideyoshi with his five consorts viewing cherry blossoms at Daigo-ji temple.
1804–1806
Never recovering from the arrest
The arrest and imprisonment are held to have dealt Utamaro a severe psychological trauma: he could not recover from the shock, and the late period of his work is coloured by tragic tones. Soon after his release the artist died.
31 ottobre 1806
Died
