ART WIKI32.979 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Museum of Modern Art/
  3. Hare Sugar (Hasenzucker)
Hare Sugar (Hasenzucker), Joseph Beuys, 1972
Joseph Beuys, ritrattoJoseph BeuysGermania, 1921–1986

Hare Sugar (Hasenzucker)

1972 · Multiple

Si può ammirare?

Al momento non riceve

Museum of Modern Art

New York, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
9 giorni fa
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1972 · a 51 anni
19211986
Numero di inventario
1445.2001.a-c

In catalogo

StampeSerigrafiaArte del dopoguerraXX secolo

Fonti

  • Museum of Modern Art
  • Immagine: Museum of Modern Art — © the artist or rights holder

Nel frattempo, nella vita di Joseph Beuys

Tutta la vita
  1. May 1970

    In Scotland with Demarco: the idea of “7000 Oaks”

    Invited by Richard Demarco, Beuys came to Scotland; at Loch Awe and Rannoch Moor he first conceived the necessity of “7000 Oaks”.

  2. August 1970

    The 1970 Edinburgh Festival: “Arena” and “The Pack”

    In August 1970, at the Edinburgh International Festival, Beuys, with Günther Uecker, Blinky Palermo, Robert Filliou and other Düsseldorf artists, showed the retrospective “Arena” and the installation “The Pack” and performed “Celtic Kinloch Rannoch”, using a blackboard for the first time; a year later he developed the action in Basel as “Celtic+”.

  3. 1972

    Bolognano: a second home and Baroness De Domizio Durini

    After spending time in Naples (where in 1972 he staged “Vitex Agnus Castus”) and Foggia, Beuys came to Bolognano (Pescara) at the invitation of Lucrezia De Domizio and Buby Durini and returned many times, making it his second home. Baroness Lucrezia De Domizio Durini became one of his main supporters, the publisher of twenty-seven of his works and one of his major collectors.

  4. October 1972

    Dismissed from the Düsseldorf Academy

    Beuys abolished entry requirements to his class, and this policy caused friction; in 1972 he found 142 rejected applicants whom he wished to take on and, with 16 students, occupied the academy's offices. The relationship became irreconcilable and in October he was dismissed; he refused to accept the dismissal, which provoked a wave of protests from students, artists and critics.

  5. 1972–1985

    The project “In Defence of Nature” in Bolognano

    From 1972 to 1985 Beuys carried out in Bolognano the project “Operation In Defence of Nature”, the Italian project with the greatest international impact: artistic, political, ecological and humanitarian actions, among them the “Paradise Plantation” of 7,000 plants (1982) and “Olivestone” (1984).

  6. 1974

    Founds the Free International University

    Together with Heinrich Böll, Beuys opened an international-level university where anyone could study — with no age limits and no entrance competition.

Altre opere di Joseph Beuys

Tutte le opere
Eurasia Siberian Symphony 1963, Joseph Beuys, 1966

Eurasia Siberian Symphony 1963

1966 · Museum of Modern Art

Green Violin (Grüne Geige), Joseph Beuys, Henning Christiansen, 1974

Green Violin (Grüne Geige)

1974 · Museum of Modern Art

Untitled, Joseph Beuys, n.d.

Untitled

n.d. · Non esposta · Museum of Modern Art

Untitled, Joseph Beuys, 1947 and 1970s

Untitled

1947 and 1970s · Non esposta · Museum of Modern Art

Untitled III, Joseph Beuys, 1948-81

Untitled III

1948-81 · Non esposta · Museum of Modern Art

Hind (Hirschkuh), Joseph Beuys, 1948, printed 1973-74

Hind (Hirschkuh)

1948, printed 1973-74 · Non esposta · Museum of Modern Art

Shallows (Wattenmeer), Joseph Beuys, 1949,  printed 1973-74

Shallows (Wattenmeer)

1949, printed 1973-74 · Non esposta · Museum of Modern Art

Untitled V, Joseph Beuys, 1949-82

Untitled V

1949-82 · Non esposta · Museum of Modern Art

Sotto lo stesso tetto: Museum of Modern Art

Pagina del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950